Burlington Bear, Grum the groblin and Max are best friends. Burly and Grum show Max a secret city in the the middle of the forest but hunters are tracking them down. They knock out Burly, capture Max and want to turn the Secret City into a tourist attraction. Throw in some big cats, Grum's mother and brothers, Mike the Angel, a deer and a few ducks and the day becomes very exciting!

Writing from home can be a challenge when you’ve got one or more kids tugging at your sleeve for attention. There are days it seems like you can’t get ANY writing done, and looming deadlines mean sleepless nights and frazzled nerves. Take heart: Writing parents who have figured out this writing parent thing share their stories and the lessons they’ve learned in trying to find balance between writing and parenting. If you’re a freelance writer, commercial writer, author or journalist trying to figure out how to keep your writing career going strong and be a capable parent at the same time, check out Burning the Midnight Oil Revisited to get some tips and techniques on how to make it happen for you!

Groblins tend to keep themselves to themselves and very few people even know they exist. Grum has been thrown out of his home by his two brothers and has to prove that he's brave before they will let him back. Grum decides that the best way to show them he's brave is to go and find a human and bring it back home. Along the way he meets Burly, a mellow kind of bear, who takes him under his paw and together they go to town! They soon get into trouble and along the way discover cup cakes, carnivals, kittens and what humans are really all about. But will Grum manage to convince his brothers that he's brave?

The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition.'One of the seminal books about music . . . an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.'GUARDIANAt the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside. What he did do - and write - however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribulations and happenings around the world.This beautiful 25th-anniversary hardcover edition has been redesigned in the same size as the diary that eventually became this book. It features two ribbons, pink paper delineating the appendices (matching the original edition) and a two-tone paper-over-board cover, which pays homage to the original design.An intimate insight into one of the most influential creative artists of our time, A Year with Swollen Appendices is an essential classic.

Thayer Soule couldn't believe his orders. As a junior officer with no military training or indoctrination and less than ten weeks of active duty behind him, he had been assigned to be photographic officer for the First Marine Division. The Corps had never had a photographic division before, much less a field photographic unit. But Soule accepted the challenge, created the unit from scratch, established policies for photography, and led his men into combat. Soule and his unit produced films and photos of training, combat action pictures, and later, terrain studies and photographs for intelligence purposes. Though he had never heard of a photo-litho set, he was in charge of using it for map production, which would prove vital to the division. Shooting the Pacific War is based on Soule's detailed wartime journals. Soule was in the unique position to interact with men at all levels of the military, and he provides intriguing closeups of generals, admirals, sergeants, and privates -everyone he met and worked with along the way. Though he witnessed the horror of war firsthand, he also writes of the vitality and intense comradeship that he and his fellow Marines experienced. Soule recounts the heat of battle as well as the intense training before and rebuilding after each campaign. He saw New Zealand in the desperate days of 1942. His division was rebuilt in Australia following Guadalcanal. After a stint back in Quantico training more combat photographers, he went to Guam and then to the crucible of Iwo Jima. At war's end he was serving as Photographic Officer, Fleet Marine Force Pacific, at Pearl Harbor.