Daisy-frumpy, wheelchair-bound, self-appointed mayor of her San Francisco neighborhood-likes dogs a little bit more than people. But when she discovers Skittles, a terrified Boston Terrier, still leashed to his very dead owner's arm, she must roll into action. Careening through the Castro and the Mission, past upscale restaurants and low-down dungeons, Daisy and Skittles brave gentrification, gay-bashing, and homelessness to paw and sniff their way deep into that most dangerous of all relationships: neighbor.

Italy's early modern period is still considered by many to be little more than a long interval of decadence between the flowering of the Renaissance city-states and the progress of the Risorgimento. In this, comprehensive, introductory survey of the political, social, cultural, and economic history of early modern Italy-the first of its kind in the English language-Gregory Hanlon throws light on a neglected and influential era. Taking a thematic approach, the author covers all aspects of life in early modern Italy: the family, the Republics, Baroque art, religion, the economy, disease, philosophy, justice, and much more, building up a vivid picture of the so-called "forgotten centuries" of Italian history.

In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.

This volume integrates the theme of Spain in Italy into a broad synthesis of late Renaissance and early modern Italy by restoring the contingency of events, local and imperial decision-making, and the distinct voices of individual Spaniards and Italians.