Burden of Desire centres on the love triangle between bohemian Halifax south-end belle Julia Robertson, Dalhousie professor Stewart MacPherson, and young Anglican minister Peter Wentworth. Julia keeps a diary detailing her sexual fantasies, which she has with her at the moment of the blast that was the Halifax Explosion. She hides her diary in her coat, which is subsequently donated to a clothing drive for the individuals from the north end of the city who've lost everything in the explosion. Peter discovers the diary and becomes fixated on its author, enlisting the help of his friend Stewart to find her. Burden of Desire explores the repression and expression of sexual desire at the time of the First World War. It also offers a compelling fictional account of the impact on Halifax society of the Halifax Explosion.

An uninhibited portrait of growing up gay in 1980s Alabama: exploring art and sex with “more layered insight than the page count should allow” (Hanif Abdurraqib, MTV News). DeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amidst prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love? A modern American classic, Since I Laid My Burden Down is a raw and searing look into the intersections of memory, Blackness, and queerness. “Performance artist Purnell beautifully captures a personality through introspection and memory in this slim novel . . . a compelling portrait of a particular disaffected kind of gay youth caught between religion, culture, and desire.” —Publishers Weekly “It’s a true novel, chaptered, and bound, that not only holds its own as queer literature, with its unapologetically misanthropic narrative, but also expands upon it.” —San Francisco Chronicle “An antidote to the rigamarole of gay lit.” —Mask Magazine “Slim yet potently realized, with a lot to ponder.” —The Bay Area Reporter “Since I Laid My Burden Down has a fearless (sometimes reckless) humor as Brontez Purnell interrogates what it means to be black, male, queer; a son, an uncle, a lover; Southern, punk, and human. An emotional tightrope walk of a book and an important American story rarely, if ever, told.” —Michelle Tea, author of Castle on the River Vistula

“An intimate and deeply human memoir that shows why we should all be concerned about nuclear safety, and the dangers of ignoring science in the name of national security.”—Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks A shocking account of the government’s attempt to conceal the effects of the toxic waste released by a secret nuclear weapons plant in Colorado and a community’s vain search for justice—soon to be a feature documentary Kristen Iversen grew up in a small Colorado town close to Rocky Flats, a secret nuclear weapons plant once designated "the most contaminated site in America." Full Body Burden is the story of a childhood and adolescence in the shadow of the Cold War, in a landscape at once startlingly beautiful and--unknown to those who lived there--tainted with invisible yet deadly particles of plutonium. It's also a book about the destructive power of secrets--both family and government. Her father's hidden liquor bottles, the strange cancers in children in the neighborhood, the truth about what was made at Rocky Flats--best not to inquire too deeply into any of it. But as Iversen grew older, she began to ask questions and discovered some disturbing realities. Based on extensive interviews, FBI and EPA documents, and class-action testimony, this taut, beautifully written book is both captivating and unnerving.

Named one of the New York Times Book Review’s 100 Notable Books of the Year ** Publishers Weekly’s Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe’s Best Fiction of 2014 ** The Telegraph’s Best Fiction to Read 2014 ** St. Louis Post Dispatch’s Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed’s Best Books Written by Women in 2014 ** San Francisco Chronicle’s Best of 2014 ** A Nancy Pearl Pick ** PopMatters.com’s Best of 2014 Fiction Winner of the 2014 LA Times Book Prize for Fiction Finalist for the 2014 Kirkus Prize Hailed by The Washington Post as “Siri Hustvedt’s best novel yet, an electrifying work,” The Blazing World is a masterful novel about perception, prejudice, desire, and one woman’s struggle to be seen. In a new novel called “searingly fresh... A Nabokovian cat’s cradle” on the cover of The New York Times Book Review, the internationally bestselling author tells the provocative story of artist Harriet Burden, who, after years of having her work ignored, ignites an explosive scandal in New York’s art world when she recruits three young men to present her creations as their own. Yet when the shows succeed and Burden steps forward for her triumphant reveal, she is betrayed by the third man, Rune. Many critics side with him, and Burden and Rune find themselves in a charged and dangerous game, one that ends in his bizarre death. An intricately conceived, diabolical puzzle presented as a collection of texts, including Harriet’s journals, assembled after her death, this “glorious mashup of storytelling and scholarship” (San Francisco Chronicle) unfolds from multiple perspectives as Harriet’s critics, fans, family, and others offer their own conflicting opinions of where the truth lies. Writing in Slate, Katie Roiphe declared it “a spectacularly good read...feminism in the tradition of Simone de Beauvoir’s The Second Sex or Virginia Woolf’s A Room of One’s Own: richly complex, densely psychological, dazzlingly nuanced.” “Astonishing, harrowing, and utterly, completely engrossing” (NPR), Hustvedt’s new novel is “Blazing indeed:...with agonizing compassion for all of wounded humanity”(Kirkus Reviews, starred review). It is a masterpiece that will be remembered for years to come.

A provocative, elegantly written analysis of female desire, consent, and sexuality in the age of MeToo Women are in a bind. In the name of consent and empowerment, they must proclaim their desires clearly and confidently. Yet sex researchers suggest that women’s desire is often slow to emerge. And men are keen to insist that they know what women—and their bodies—want. Meanwhile, sexual violence abounds. How can women, in this environment, possibly know what they want? And why do we expect them to? In this elegant, searching book—spanning science and popular culture; pornography and literature; debates on Me-Too, consent and feminism—Katherine Angel challenges our assumptions about women’s desire. Why, she asks, should they be expected to know their desires? And how do we take sexual violence seriously, when not knowing what we want is key to both eroticism and personhood? In today’s crucial moment of renewed attention to violence and power, Angel urges that we remake our thinking about sex, pleasure, and autonomy without any illusions about perfect self-knowledge. Only then will we fulfil Michel Foucault’s teasing promise, in 1976, that “tomorrow sex will be good again.”

Winner of the 2022 Lambda Literary Award in Gay Fiction. A New York Times Book Review Editors' Choice. Longlisted for the 2022 Mark Twain American Voice in Literature Award and the 2021 Brooklyn Public Library Literary Prize. One of Buzzfeed's Best LGBTQ+ Books of 2021, NBC's 10 Most Notable LGBTQ Books of 2021, and Pink News' Best LGBTQ Books of 2021. "This hurricane of delirious, lonely, lewd tales is a taxonomy and grand unified theory of the boyfriend, in every tense." —Parul Sehgal, The New York Times "I loved this book—raunchy, irreverent, deliberate, sexy, angry, and tender, in its own way." —Roxane Gay An irrerverent, sensitive, and inimitable look at gay dysfunction through the eyes of a cult hero Transgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure—from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama—Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it—or perhaps because of it—they shine. Armed with a deadpan wit, Purnell finds humor in even the darkest of nadirs with the peerless zeal, insight, and horniness of a gay punk messiah. Together, the slice-of-life tales that writhe within 100 Boyfriends are an inimitable tour of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.