Out of print for almost a decade, we are thrilled to bring back one of our most requested hard-to-find titlesphilosopher and cultural theorist Paul Virilio's Bunker Archeology. In 1994 we published the first English-language translation of the classic French edition of 1975, which accompanied an exhibition of Virilio's photographs at the Centre Pompidou. In Bunker Archeology, urbanist Paul Virilio turns his attentionand camerato the ominous yet strangely compelling German bunkers that lie abandoned along the coast of France. These ghostly reminders of destruction and oppression prompted Virilio to consider the nature of war and existence, in relation to both World War II and contemporary times. Virilio discusses fortresses and military space in general as well as the bunkers themselves, including an examination of the role of Albert Speer, Hitler's architect, in the rise of the Third Reich.

Henri Duday is Director of Research for CNRS at the University of Bordeaux. The Archaeology of the Dead is based on an intensive specialist course in burial archaeology given by Duday in Rome in November 2004. The primary aim of the project was to contribute to the development of common procedures for excavation, data collection and study of Roman cemeteries of the imperial period. Translated into English by Anna Maria Cipriani and John Pearce, this book looks at the way in which the analysis of skeletons can allow us to re-discover the lives of people who came before us and inform us of their view of death. Duday throughly examines the means at our disposal to allow the dead to speak, as well as identifying the pitfalls that may deceive us.

Human societies have disposed of their dead in a variety of ways. However, while considerable attention has been paid to bodies that were buried, comparatively little work has been devoted to understanding the nature of cremated remains, despite their visibility through time. It has been argued that this is the result of decades of misunderstanding regarding the potential information that this material holds, combined with properties that make burned bone inherently difficult to analyse. As such, there is a considerable body of knowledge on the concepts and practices of inhumation yet our understanding of cremation ritual and practice is by comparison, woefully inadequate. This timely volume therefore draws together the inventive methodology that has been developed for this material and combines it with a fuller interpretation of the archaeological funerary context. It demonstrates how an innovative methodology, when applied to a challenging material, can produce new and exciting interpretations of archaeological sites and funerary contexts. The reader is introduced to the nature of burned human remains and the destructive effect that fire can have on the body. Subsequent chapters describe important cremation practices and sites from around the world and from the Neolithic period to the modern day. By emphasising the need for a robust methodology combined with a nuanced interpretation, it is possible to begin to appreciate the significance and wide-spread adoption of this practice of dealing with the dead.

During the Cold War military and civil defence bunkers were an evocative materialisation of deadly military stand-off. They were also a symbol of a deeply affective, pervasive anxiety about the prospect of world-destroying nuclear war. But following the sudden fall of the Berlin Wall in 1989 these sites were swiftly abandoned, and exposed to both material and semantic ruination. This volume investigates the uses and meanings now projected onto these seeming blank, derelict spaces. It explores how engagements with bunker ruins provide fertile ground for the study of improvised meaning making, place-attachment, hobby practices, social materiality and trauma studies. With its commentators ranging across the arts and humanities and the social sciences, this multi-disciplinary collection sets a concern with the phenomenological qualities of these places as contemporary ruins – and of their strange affective affordances – alongside scholarship examining how these places embody, and/or otherwise connect with their Cold War originations and purpose both materially and through memory and trauma. Each contribution reflexively considers the process of engaging with these places – and whether via the archive or direct sensory immersion. In doing so the book broadens the bunker’s contemporary signification and contributes to theoretically informed analysis of ruination, place attachment, meaning making, and material culture.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

Community Archaeology is an assessment of the aims, results and validity of the broad spectrum of community archaeology initiatives taking place today. The project arose from a shared belief in cooperation between professional and non-professional archaeologists and the belief that archaeology does not have to take place in private between consenting companies. The 15 papers presented here are startlingly and pleasingly diverse, drawing on the expertise and experience of student archaeologists, academics, professionals, amateurs, educators and independent practitioners. A number of interesting common themes emerge, including general theoretical reflections on the nature and significance of community archaeology, education (which highlights the common concentration on excavation within community archaeology and the concomitant neglect of post-excavation work), funding and sustainability, namely the dichotomy between one-off or medium-term projects that are funded and long-term projects that tend to be staffed by volunteers. As well as the difficulties involved, the collection also highlights the pleasures and emotional dimensions of engaging with material remains of the past.