This haunting dossier--anonymously assembled and found in a thrift store--gives an unprecedented and intimate lowdown on the Chicago mafia In the early 2000s, Chicago author, curator and gallerist John Corbett struck thrifter's gold in a going-out-of-business Chicago junk shop when he stumbled onto a 1933 manuscript intimately documenting the Chicago Mafia. The tone of the browned and brittled pages immediately grabbed him--sensationalistic and funny, they read like an embellished police blotter as they named names, gave addresses, and detailed crimes. Presented here in facsimile in order to capture the physicality of the typewritten and annotated document, Bullets for Dead Hoods: An Encyclopedia of Chicago Mobsters, c. 1933offers an expanded overview of the Chicago Outfit through 140 character sketches that range from the infamous--Al Capone, Big Jim Colosimo, the Everleigh Sisters--to their lesser-known aiders and abetters. Whoever dared to put this testament together was clearly someone with access to information--a cop? a detective? a newspaperman? a bitter mafioso?--but who would've risked sharing this information, and why, is a mystery that will most likely never be solved. What is left for us is a concise introduction to a particularly gripping chapter in American history that, through its details, knits Chicago together in a new way. In addition to the 1933 manuscript in facsimile (approximately 185 pages), the book includes an introduction by John Corbett; a compilation of the 500+ locations referenced in the manuscript; and a map featuring those street addresses in Chicago.

Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way. Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong.

In 2004, the murder of a middle-aged couple in their village bungalow lifted the lid on the great untold story of British organised crime. The slaughter of Joan and John Stirland revealed an evil empire of powerful ganglords, contract killings and police corruption. At its dark heart was the East Midlands city of Nottingham. A prosperous centre of business, education and leisure, Nottingham had fallen under the shadow of vicious gangsters. Eventually its police were investigating so many murders that their boss had to appeal to other forces for help, and the influx of drugs and weapons saw the city labelled "Gun Capital UK". HOODS traces the roots of the gangs, revealing how economic dislocation and the clash of cultures between working-class white residents and black immigrants from the 1950s onwards created an alienated underclass. In the 1990s, a more malignant breed of organised criminal emerged. Crime families who had been involved in armed robbery, protection rackets and extortion now sought to control the recreational drugs trade and forged links across Europe to import wholesale quantities of cocaine, ecstasy and amphetamines. By 2002, shootings were running at one a week. HOODS uncovers how outlaw Yardies pioneered the sale of crack cocaine and imported the ruthless violence of the Jamaican ghettos; how young black gangs from the so-called NG Triangle of the Meadows, St Ann’s and Radford areas clashed in a series of turf wars; how the shadowy Dawes Cartel built a lucrative international drugs empire; and how the Bestwood Cartel and its terrifying leader, Colin Gunn, corrupted police officers and left dead and maimed in its wake. As local police struggled to cope with the mayhem, MI5 and the National Crime Squad launched a massive undercover investigation into the Nottingham ‘untouchables’. It led ultimately to the dismantling of some of the UK’s most powerful crime networks. HOODS is a stark account of what happens when the rule of the gun supplants the rule of law and fear stalks the streets.

A new afterword by Max Holland details developments since the original 2003 publication, including the revelation of Mark Felt as the infamous “Deep Throat,” the media’s role in the scandal, both during and afterwards, including Bob Woodward’s Second Man. Arguably the greatest political scandal of twentieth-century America, the Watergate affair rocked an already divided nation to its very core, severely challenged our cherished notions about democracy, and further eroded public trust in its political leaders. The 1972 break-in at Democratic National Headquarters in the Watergate Hotel--by five men acting under the direction of a Republican president's closest aides and his staff--created a constitutional crisis second only to the Civil War and ultimately toppled the Nixon presidency. With its sordid trail of illegal wiretapping, illicit fundraising, orchestrated cover-up, and destruction of evidence, it was the scandal that made every subsequent national political scandal a "gate" as well. A disturbing tale made famous by Washington Post reporters Bob Woodward and Carl Bernstein in All the President's Men, the Watergate scandal has been extensively dissected and vigorously debated. Keith Olson, however, offers for the first time a "layman's guide to Watergate," a concise and readable one-volume history that highlights the key actors, events, and implications in this dark drama. John Dean, John Ehrlichman, H. R. Haldeman, G. Gordon Liddy, John Mitchell, Judge John Sirica, Senator Sam Ervin, Archibald Cox, and the ghostly "Deep Throat" reappear here--in a volume designed especially for a new generation of readers who know of Watergate only by name and for teachers looking for a straightforward summary for the classroom. Olson first recaps the events and attitudes that precipitated the break-in itself. He then analyzes the unmasking of the cover-up from both the president's and the public's perspective, showing how the skepticism of politicians and media alike gradually intensified into a full-blown challenge to Nixon's increasingly suspicious actions and explanations. Olson fully documents for the first time the key role played by Republicans in this unmasking, putting to rest charges that the "liberal establishment" drove Nixon from the White House. He also chronicles the snowballing public outcry (even among Nixon's supporters) for the president's removal. In a remarkable display of nonpartisan unity, leading public and private voices in Congress and the media demanded the president's resignation or impeachment. In a final chapter, Olson explores the Cold War contexts that encouraged an American president to convince himself that the pursuit of "national security" trumped even the Constitution. As America approaches the thirtieth anniversary of the infamous Watergate hearings and the overreach of presidential power is again at issue, Olson's book offers a quick course on the scandal itself, a sobering reminder of the dangers of presidential arrogance, and a tribute to the ultimate triumph of government by the people.

A retired baseball player finds himself fighting for his life in this “fantastically hopped-up thriller [with] a wrong-man plot worthy of Hitchcock” (Entertainment Weekly, Editor’s Choice). “Wow! Brutal, visceral, violent, edgy, and brilliant.”—Harlan Coben In development as a major motion picture starring Austin Butler and directed by Darren Aronofsky Henry “call me Hank” Thompson used to play California baseball. Now he tends to a bar on Manhattan’s Lower East Side. When two Russians in tracksuits beat Hank to a pulp, he gets the clue: someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it. Within twenty-for hours, Hank is running over rooftops, playing hide-and-seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor. All because of some Russian hoods and a flat-out freakshow of goons. All because once, in another life, the only thing Hank wanted to steal was third base—without getting caught.