Milwaukee's City Hall on East Wells and North Water streets is a landmark. Not only officially, but as part of Milwaukee's identity, from the city's flag to the Laverne and Shirley sit-com in the 1970s. The site for this familiar building was not easily chosen. The final location was not the first choice for most of Milwaukee's movers and shakers, and after it was finally settled upon, the difficulties only became bigger. Battles over designs and the bidding process became politically heated and personal in nature. Cost overruns in the construction, although common at the time, grew to gigantic proportions. The completed building was, however, structurally sound and pleasing to the eye. Still standing 115 years later, it is a monument to the Milwaukee government officials, architect and builder.

Milwaukee's City Hall on East Wells and North Water streets is a landmark. Not only officially, but as part of Milwaukee's identity, from the city's flag to the Laverne and Shirley sit-com in the 1970s. The site for this familiar building was not easily chosen. The final location was not the first choice for most of Milwaukee's movers and shakers, and after it was finally settled upon, the difficulties only became bigger. Battles over designs and the bidding process became politically heated and personal in nature. Cost overruns in the construction, although common at the time, grew to gigantic proportions. The completed building was, however, structurally sound and pleasing to the eye. Still standing 115 years later, it is a monument to the Milwaukee government officials, architect and builder.

From City Hall to the Pabst Theater, reminders of the past are part of the fabric of Milwaukee. Yet many historic treasures have been lost to time. An overgrown stretch of the Milwaukee River was once a famous beer garden. Blocks of homes and apartments replaced the Wonderland Amusement Park. A quiet bike path now stretches where some of fastest trains in the world previously thundered. Today's Estabrook Park was a vast mining operation, and Marquette University covers the old fairgrounds where Abraham Lincoln spoke. Author Carl Swanson recounts these stories and other tales of bygone days.

This spectacular volume celebrates the reopening of the Milwaukee Art Museum with its new additiion designed by world-famous Spanish architect Santiago Calatrava, joining the original builing by Eero Saarinen.

As the country sought healing and peace after the Civil War, Wisconsin citizens took up Pres. Abraham Lincoln's challenge "to care for him who shall have borne the battle." Their efforts paved the way for the establishment in Milwaukee of one of the original three branches of the National Asylum for Disabled Volunteer Soldiers. In May 1867, the first 60 veterans, including a musician from the War of 1812, moved to a single building on 400 rolling acres west of Milwaukee. By the end of the 19th century, the bustling campus boasted its own hospital, chapel, library, theater, and recreation hall, in addition to the grand main building. Subsequent wars and military conflicts created a need for additional buildings and services. Designated a National Historic Landmark in 2011, the campus continues to offer a healing environment for today's patients and stands as a testimony to advances in veteran health care.

City Hall is the first book to feature striking contemporary images of the most architecturally significant city halls in the United States. This diverse collection includes New York, the oldest; Philadelphia, once the tallest building in the world; and Boston, the first major brutalist building in the United States. Organized chronologically, the book traces the evolution of American civic architecture from the early 19th century to the present day and represents diverse styles such as Federalist, art deco, and modern. Architects, current and former mayors, historians, and preservationists tell the story about how each city hall came to be, what it says about its city, and why it's important architecturally. With a foreword by noted historian Douglas Brinkley and an essay by architectural writer Thomas Mellins, City Hall spotlights these often underappreciated civic buildings and affirms architecture's unique power to express democratic ideals and inspire civic engagement.

The skyscraper is an American invention that has captured the public's imagination for over a century. The tall building is wholly manmade and borne in the minds of those with both slide rules and computers. This is the story of the skyscraper's rise and the recognition of those individuals who contributed to its development. This volume is unique; its approach, information, and images are fresh and telling. The text examines America's first tall buildings -- the result of twelve years of in-depth research by an accomplished and published architect and architectural historian. Over 300 compelling photographs, charts, and notes make this the ultimate tool of reference for this subject. Biographies woven throughout with period norms, politics and lifestyles help to place featured skyscrapers in context. Quite simply, there is no book like this. The text, carefully and insightfully written, is clear, concise, and easily digestible, the text being the product of well-documented original research written in an informative tone. The American Skyscraper 1850-1940: A Celebration of Height is a richly documented journey of a fascinating topic, and it promises to be a superb addition to libraries, schools of architecture, students of architecture, and lovers of art.