RESNICK ON THE LOOSE collects Mike Resnick's essays, editorials, interviews, introduction, and articles -- more than 75 of them -- covering everything from Hugo Awards to classic authors to the art of writing. An essential volume for anyone interested in looking beyond Resnick's award-winning novels and stories to the heart and soul of the creative genius behind them! Introduction by Eric Flint.

Science and science fiction have become inseparable--with common stories, interconnected thought experiments, and shared language. This reference book lays out that relationship and its all-but-magical terms and ideas. Those who think seriously about the future are changing the world, reshaping how we speak and how we think. This book fully covers the terms that collected, clarified and crystallized the futurists' ideas, sometimes showing them off, sometimes slowing them down, and sometimes propelling them to fame and making them the common currency of our culture. The many entries in this encyclopedic work offer a guided tour of the vast territories occupied by science fiction and futurism. In his Foreword, David Brin says, "Provocative and enticing? Filled with 'huh!' moments and leads to great stories? That describes this volume."

“The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It’s rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.”—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality “An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.”—Choice “An extremely useful introduction to recent thinking about gender issues within this genre.”—Film Theory

Abject Terrors is an expansive study of the most significant films from the prolific horror genre - from its origins in the 1920s and 1930s, to its contemporary representations. This survey brings together close analyses of individual motion pictures, demonstrating the interconnections among these filmic texts and their contribution to defining quintessential aspects of the modern and postmodern horror film.

This exploration of the ways in which pregnancy affects narrative begins with two canonical American texts, Nathaniel Hawthorne's The Scarlet Letter (1848) and Harriet Jacobs's Incidents in the Life of a Slave Girl (1861). Relying on such diverse works as Frankenstein, Peyton Place, Beloved, and I Love Lucy, the book chronicles how pregnancy evolves from a conventional plot device into a mature narrative form. Especially in the 20th and 21st centuries, the pregnancy narrative in fiction and film acts as a lightning rod with the power to electrify all genres of fiction and film, from early melodrama (Way Down East) to noir (Leave Her to Heaven); from horror (Rosemary's Baby) to science fiction and dystopia (Alien, The Handmaid's Tale); and from iconic (Lolita) to independent (Juno, Precious). Ultimately, the pregnancy narrative in popular film and fiction provides a remarkably clear lens by which we can gauge how popular American film and fiction express our most profound--and most private--fears, values and hopes.

Who better to parody science fiction than science fiction authors themselves? *** In this classic collection of stories, compiled by Mike Resnick (winner of five Hugos, plus a plethora of other awards in multiple categories), such prominent authors as Arthur C. Clarke, Isaac Asimov, Barry Malzberg and a host of others take their pens and wits to make fun of themselves and the genre they live for. *** This collection was originally titled Shaggy B.E.M. Stories and was compiled exclusively for the 1988 Worldcon (Nolacon II). Seventy- five percent of the original edition sold out over the Worldcon weekend and the rest disappeared soon after. *** Phoenix Pick is proud to republish this classic collection of parodies. All the original stories are included and the only changes that have been made are corrections of typos and other mistakes. One new poem ('There's a Bimbo on the Cover' by Michael F. Flynn) has been added to the book for obvious reasons-it just begged to belong to this irreverent collection.

From twentieth-century animations and comic strips to advertising, Animating the Science Fiction Imagination unearths a significant body of cartoon science fiction from the pre-World War II era that appeared at approximately the same time the genre was itself struggling to find an identity, an audience, and even a name.