By 1920, Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity's new realities in the city and in understandings of the city itself, Buenos Aires and the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

By 1920 Buenos Aires was the largest and most cosmopolitan city of Latin America due to mass immigration from Europe in the previous decades. Unbridled urban expansion had drastic effects on the social and cultural topography of the Argentine capital, raising ideological and aesthetic issues that shaped the modernist landscape of the country. Artists across disciplines responded to these changes with conflicting depictions of urban space. Centering these conflicts as a cognitive map of modernity’s new realities in the city, Buenos Aires across the Arts looks at the interaction between modernity and modernism in literature, photography, film, and painting during the interwar period. This was a time of profound change and heightened cultural activity in Argentina. Eleni Kefala analyzes works by Jorge Luis Borges, Oliverio Girondo, José Ferreyra, Xul Solar, Roberto Arlt, and Horacio Coppola, with a focus on the city of Buenos Aires as a playground of modernity.

Buenos Aires, Argentina, recognized for its European-style architecture and lively theater scene, is a truly special place. The second-largest city in South America, it has been the home of such renowned cultural and historical figures as Jorge Luis Borges and Astor Piazzola, Che Guevara and Eva Peron. Like every truly great city, New York, London and Prague; Buenos Aires is its own universe, with its own center of gravity, its own scents and flavors, its own architectural signature-in short, its own way of being. From San Telmo's oak-paneled restaurants and brightly tiled apothecaries from 1900, and the phantasmagoric Beaux Arts palaces along Avenida Alvear and Plaza San Martin, to the parks of Palermo and the bustling bars and cafes along Corrientes and LaValle, Buenos Aires is steeped in exotic culture and history. In Buenos Aires, Art and culture critic James Gardner offers a colorful biography of the "Paris of the South," from its origins and time as a colonial city, through its Golden age, the rise of Peron, and the Falklands War, to the present day. With entertaining asides about art, architecture, literature, food and dance, as well as local customs and colorful personalities, this is a rich and unique historical narrative of Buenos Aires.

Whether for tango, football, or art, passions in Buenos Aires run high. The largest city in Argentina, it is chaotic and lively, dangerous and cosmopolitan, and presents seemingly unlimited attractions for tourists. This book provides a view into the city today, and into its past. Europeans colonized Buenos Aires in the 16th century, and from this modest start by the end of the nineteenth century it had boomed. Its history is one of excesses and swings between authoritarian and democratic governments. By examining Buenos Aires past, we can appreciate what remains as story, urban myth, or reality. "

Buenos Aries boasts a number of impressive buildings in a range of architectural styles. But when Anat Meidan, an art collector with a passion for La Belle Époque, moved to the city, she was delighted to discover how much of the city's Art Nouveau architecture from the early 20th century had survived. The author set about researching these extraordinary buildings as well as the people who designed and built them. Working with Gustavo Sosa Pinilla, Meidan toured the city and documented its architecture, using a few well-placed connections to gain access to the interiors of private homes and buildings usually closed to the general public. In this meticulously researched, richly illustrated book, featuring hundreds of splendid photographs, the reader is invited to share the author's voyage around the city as she narrates a very personal account of her love affair with Buenos Aires.

‘A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain’ Johanna Thomas-Corr, Observer A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . . 'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett 'This woman-guide, who goes from Lampedusa to The Doors with crushing elegance, is unforgettable' Mariana Enriquez 'A dazzling combination of memoir, fiction and art book, like nothing you’ve ever read before’ Elle