An amnesiac hunts for his lost life in every corner of New York City in this “brilliant” novel from the bestselling author of The Blackboard Jungle (Chicago Tribune). Sunrise in Central Park. A man wakes up on a park bench with no idea who he is or how he got there. The only clues to his identity are the gold ring engraved “From G.V.” he wears on his right hand and the black address book with a single phone number he finds in his jacket pocket. Lacking a name, the man takes one from a passing beer truck and a plane flying overheard—Buddwing, he decides to call himself. For the next twenty-four hours, Buddwing searches Manhattan hoping to rediscover his missing life. But no matter where he looks or whom he talks to, the past remains a confusing, disconnected jumble. One key name, however, echoes through the dim corridors of his mind: Grace. Unfortunately, there is no grace to be found in the sprawling city. From the pretty young college student who brings him to her Greenwich Village apartment to the drunken sailor on shore leave who shows him a wild time in Chinatown to the wealthy, disillusioned blonde who claims him as a treasure-hunt prize, no one Buddwing encounters has the answers he seeks. Weary and desperate, he fears the life he’s forgotten is too terrible to recall. But even the most painful memory has to be better than the emptiness of not knowing. Or does it? A vivid, kaleidoscopic portrait of 1950s New York City and a “fascinating exercise in the workings of the psyche,” Buddwing was the basis for the Academy Award–nominated film Mister Buddwing starring James Garner, Suzanne Pleshette, Jean Simmons, and Angela Lansbury (St. Louis Post-Dispatch). Evan Hunter’s personal favorite of his many novels, this masterpiece of psychological fiction moves with dreamlike intensity toward a shattering and unforgettable conclusion.

FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.

One of the most prolific crime writers of the last century, Evan Hunter published more than 120 novels from 1952 to 2005 under a variety of pseudonymns. He also wrote several teleplays and screenplays, including Alfred Hitchcock's The Birds, and the 1954 novel The Blackboard Jungle. When the Mystery Writers of America named Hunter a Grand Master, he gave the designation to his alter ego, Ed McBain, best known for his long-running police procedural series about the detectives of the 87th Precinct. This comprehensive companion provides detailed information about all of Evan Hunter's/Ed McBain's works, characters, and recurring themes. From police detective and crime stories to dramatic novels and films, this reference celebrates the vast body of literature of this versatile writer.

FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.

Arriving in Hollywood in 1950 to launch her American film career, Jean Simmons (1929-2010) had already appeared in 18 British films and was best known for her portrayal of Ophelia in Laurence Olivier's Hamlet. She soon became a favorite female face working with some of filmmaking's greats and acted opposite many Hollywood A-listers. Two of her most popular films--Guys and Dolls (1955) and Spartacus (1960)--were international box-office hits, and in her seven decades-long career she collected numerous awards and honors including a Golden Globe, an Emmy, and two Oscar nominations as Best Actress. Despite the accomplishments and accolades, radiant beauty, and stunning versatility, Simmons is considered by many to be an underrated artist, too often handed more comfortable leading female roles than those that could've elevated her to the level of super stardom experienced by some of her peers. This, the first full-length biography of Simmons, fills a gap in film and performing arts studies, and includes extensive notes and photographs.

Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. John Barry's arrangement of the James Bond theme. These iconic melodies have remained a part of the pop culture landscape since their debuts in the late 1950s and early '60s: a "golden decade" that highlighted an era when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made during this period were propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book traces the embryonic use of jazz in mainstream entertainment from the early 1950s--when conservative viewers still considered this genre "the devil's music"--to its explosive heyday throughout the 1960s. Fans frustrated by the lack of attention paid to jazz soundtrack composers--including Jerry Goldsmith, Edwin Astley, Roy Budd, Quincy Jones, Dave Grusin, Jerry Fielding and many, many others--will find solace in these pages (along with all the information needed to enhance one's music library). The exploration of action jazz continues in this book's companion volume, Crime and Action Jazz on Screen Since 1971.