It Deals With The Development And Fundamental Aspects Of Buddhist Tantrism And Its Impact On Paintings And The Sculptural Art Of India. It Discusses Concepts And Schools Of Tantrism Citing Buddhist Tantric Works.

Making Sense of Tantric Buddhism fundamentally rethinks the nature of the transgressive theories and practices of the Buddhist Tantric traditions, challenging the notion that the Tantras were “marginal” or primitive and situating them instead—both ideologically and institutionally—within larger trends in mainstream Buddhist and Indian culture. Critically surveying prior scholarship, Wedemeyer exposes the fallacies of attributing Tantric transgression to either the passions of lusty monks, primitive tribal rites, or slavish imitation of Saiva traditions. Through comparative analysis of modern historical narratives—that depict Tantrism as a degenerate form of Buddhism, a primal religious undercurrent, or medieval ritualism—he likewise demonstrates these to be stock patterns in the European historical imagination. Through close analysis of primary sources, Wedemeyer reveals the lived world of Tantric Buddhism as largely continuous with the Indian religious mainstream and deploys contemporary methods of semiotic and structural analysis to make sense of its seemingly repellent and immoral injunctions. Innovative, semiological readings of the influential Guhyasamaja Tantra underscore the text’s overriding concern with purity, pollution, and transcendent insight—issues shared by all Indic religions—and a large-scale, quantitative study of Tantric literature shows its radical antinomianism to be a highly managed ritual observance restricted to a sacerdotal elite. These insights into Tantric scripture and ritual clarify the continuities between South Asian Tantrism and broader currents in Indian religion, illustrating how thoroughly these “radical” communities were integrated into the intellectual, institutional, and social structures of South Asian Buddhism.

In the Tibetan highlands Buddhism flowered in the form known as Lamaism, and the presence of religious art in Tibet has been universal, extending even to remote and secluded regions. This comprehensive treatise examines this artistic heritage, aided by copious color plates and line drawings. The iconography of the great Buddhist masters and saints is presented and the mystic and revelatory functions of Tibetan religious art is elucidated.

This book is unique in the way in which it explains the rich iconography of Tibetan Buddhism in relation to spiritual psychology and the exploration of our inner world. It is a door into the rich and profound symbolism of Tibetan sacred art. The author uses concepts from Western psychotherapy to bridge an understanding of the meaning and functions of these symbols.

This volume, the result of an international collaboration of forty scholars, provides a comprehensive resource on Esoteric Buddhism and the Tantras in their Chinese, Korean, and Japanese contexts from the first few centuries of the common era to the present.

It is only recently that the systematic study of Buddhist Art has been inaugurated. Thanks to scientific excavations and explorations carried out in India by the Indian Archaeological Survey, in Central Aisa by a number of archaeological missions on behalf of different governments, and in China by the pioneer work of the eminent French sinologist, the late Edouard Chavennes, we possess a number of invaluable facts which enable us to reconstruct the vast domain of Buddhist Art. It is true that it is not yet possible to write a history of Buddhist Art in all its phases and different epochs. This huge work remains to be done, and we only can hope that future investigations in this field will facilitate the scholar's task. But if the complete history of Buddhist Art is still to be written, we can already affirm the unity of its evolution. -- Introduction.