This extensively researched and illustrated volume offers Western readers a rare introduction to Buddhism's complex and fascinating views about the structure of the universe. The book begins by clearly explaining classical cosmology, with its symmetrical, India-centered universe and multitudinous heavens and hells, and illuminates the cosmos's relation to the human concerns of karma, transmigration, and enlightenment. It moves on to discuss the Mahayana conception of the universe as a lotus flower containing uncountable realms, each with its own buddha. Then, examining changes in the notions of hell and the gods, the author traces Buddhism's gradual shift from a religion to a mythology. Throughout, treatment of Buddhism's historical, geographical, and doctrinal origins complements detailed cosmological descriptions. Finally, the author shows us how this ancient philosophy resembles the modern scientific view of the cosmos, and how even today it can help us lead more fulfilling lives.

Disagreements concerning the nature and extent of the universe constitute a focus of theological debate which permeates buddhism at every level. While there have been numerous attempts to catalogue the details of the Buddhist cosmologies, none has attempted a general interpretation of their underlying intention. This work attempts to begin the process of interpreting the major phases of Buddhist Cosmological speculation by seeing in them various dramas of salvation tailored to the philosophical and theological predilections of their respective traditions. To a large extent, this interpretation relies on an examination of continuities between the Buddhist cosmologies and those of the hellenistic world as a whole. In the course of this study, two major cosmological traditions emerge; those which rely on metaphors of time and those which rely on metaphors of time and those which rely on metaphors of space. The former are associated with the Hinayana and the latter with the Mahayana forms of Buddhism. Each draws on images of motion and light to articulate its vision of the drama of salvation.

This book examines the worship of devas and demons in Sri Lanka, illustrating how diverse influences interacted to create the Sinhala Buddhist cosmology. The work explains the processes by which apotheosis plays an important role in revitalizing that cosmology. The author offers an examination of holy sites associated with the worship of Hūniyam. These sacred spaces each have a unique background historically, and the ritualists associated with these sites have divergent understandings concerning Hūniyam. Building upon the examination of the temples, the book delves into the iconography of Hūniyam, illustrating his transformation from demon to deity in the manner that he is depicted in imagery associated with his worship. The book moves to a discussion of Aritṭ ạ Kivenḍu Perumāl, a South Indian adventurer, demonstrating the likelihood that he is the historical figure later apotheosized as Hūniyam. Sri Lankan society felt his impact so strongly that in death he became a demon in the Sinhala Buddhist cosmology. Finally, the book demonstrates that the same apotheosis processes are at work today. This book will be of interest to researchers and students engaged in the study of religion, anthropology, folklore, and history, specifically in the South Asian context.

"A Burmese Buddhist manuscript from the mid-nineteenth century is the catalyst for a study of the multifaceted Buddhist cosmos...[T]he author uncovers fascinating details of the Theravada Buddhist cosmos" -- jacket flap.

The Golden Yoke is a remarkable achievement. It is the first elaboration of the legal, cultural, and ideological dimensions of precommunist Tibetan jurisprudence, a unique legal system that maintains its secularism within a thoroughly Buddhist setting. Layer by layer, Rebecca Redwood French reconstructs the daily operation of law in Tibet before the Chinese invasion in 1959. In the Tibetans' own words, French identifies their courts, symbols, and personnel and traces the procedures for petitioning and filing documents. There are stories here from judges, legal conciliators, and lay people about murder, property disputes, and divorce. French shows that Tibetan law is deeply embedded in its Buddhist culture and that the system evolved not from the rules and judgments but from what people actually do and say. In what amounts to a fully developed cosmology, she describes the cultural foundation that informs the system: myths, notions of time and conflux, inner morality, language patterns, rituals, use of space, symbols, and concepts. Based on extensive readings of Tibetan legal documents and codes, interviews with Tibetan scholars, and the reminiscences of Tibetans at home and in exile, this generously illustrated, elegantly written work is a model of outstanding research. French combines the talents of a legal anthropologist with those of a former law practitioner to develop a new field of study that has implications for other judicial systems, including our own.

An encyclopedic survey of Buddhist cosmology and mythology according to the Pali canon and commentaries. Covers the nature of the universe, of time and of the various classes of beings inhabiting the various realms and levels of the cosmos.

Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe