A Buddhist story spoken by Venerable Master Miao Lien

Osamu Tezuka's vaunted storytelling genius, consummate skill at visual expression, and warm humanity blossom fully in his eight-volume epic of Siddhartha's life and times. Tezuka evidences his profound grasp of the subject by contextualizing the Buddha's ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka's Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one's life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers' attention. Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse's novel or Bertolucci's film is comparable in this regard; in fact, Tezuka's approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

Whereas Western intellectuals seek the essence of Buddhism in its doctrines and meditation practices, the traditional Buddhists of Asia absorb the ideas and values of their spiritual heritage through its rich narrative literature about the Buddha and his disciples. The most popular collection of Buddhist stories is, without doubt, the Jatakas. These are the stories of the Buddha's past births, relating his experiences as he passed from life to life on the way to becoming a Buddha. At times he takes the form of a bird, at times he is born as a hare, a monkey, a prince, a merchant, or an ascetic, but in each case he uses the challenges he meets to grow in generosity, virtue, patience, wisdom, and compassion.This anthology of Jatakas, ably told by Ken and Visakha Kawasaki, remains faithful to the original yet presents the stories in clear and simple language. It thereby makes the Jatakas accessible even to young readers and to those for whom English is not their first language.

A golden goose demonstrates the wealth of kindness. A rabbit learns not to believe everything he hears. Throughout the ages, moral tales have been passed down from one generation to the next. Centuries ago in China, hundreds of parables were told by the Buddha to his devoted followers. His messages became widespread through fables adapted by famous storytellers like Aesop and La Fontaine. In this collection, the author has chosen ten of the most engaging classic tales from the Buddha's works. Compiled and illustrated by Demi, this wonderful collection of stories is sure to draw young readers into the ancient teachings of the Buddha, teachings that are as relevant today as they were over two thousand years ago.

Relative Truth, Ultimate Truth is a clear and remarkably practical presentation of a core Buddhist teaching on the nature of reality. Geshe Tashi Tsering provides readers with an excellent opportunity to enhance not only thier knowledge of Buddhism, but also a powerful means to profoundly enhance their view of the world. The Buddhist teaching of the''two truths'' is the gateway to understanding the often-misunderstood philosophy of emptiness. This volume is an excellent source of support for anyone interested in cultivating a more holistic and transformative understanding of the world around them and ultimately of their own conciousness

2004's Nixon Under the Bodhi Tree and Other Works of Buddhist Fiction was hailed as "a milestone" and "an embarrassment of literary riches." Its sequel proves that this new genre is here to stay. Edited by Keith Kachtick-the author of Hungry Ghost: A Novel (A New York Times Notable Book)-You Are Not Here and Other Works of Buddhist Fiction offers even more sparkling and transcendent work from some of fiction's famous names, alongside names you've never heard before-but surely will again. Book jacket.