Winner of the National Book Award (1966) Winner of the Melville Cane Award (1966) Whoever looks to a new book by James Dickeys for further work in an established mode, or for mere novelty, is going to be disappointed. But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed. Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling—pioneering—in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"—these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

For over three decades, James Dickey has been one of the nation's most important poets and a prominent man of letters. The Whole Motion collects his poetic oeuvre into a single volume: 235 poems from his first book, Into the Stone (1960), to The Eagle's Mile (1990), along with previously uncollected poems and unpublished "apprentice" works.

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.

This impressive volume provides over 1,700 biographical entries on poets writing in English from 1910 to the present day, including T. S. Eliot, Dylan Thomas, and Carol Ann Duffy. Authoritative and accessible, it is a must-have for students of English and creative writing, as well as for anyone with an interest in poetry.

A fascinating biography of one of the most popular, colorful, and notorious American poets of our century. The legendary Southern poet James Dickey never shied away from cultivating a heroic mystique. Like Norman Mailer and Ernest Hemingway, he earned a reputation as a sportsman, boozer, war hero, and womanizer as well as a great poet, novelist, screenwriter, and essayist. But James Dickey made lying both a literary strategy and a protective camouflage; even his family and closest friends failed to distinguish between the mythical James Dickey and the actual man. Henry Hart sees lying as the central theme to Dickey's life; and in this authoritative, immensely entertaining biography he delves deep behind Dickey's many masks. Letters, anecdotes, tall tales and true ones, as well as the reluctant but finally candid cooperation of Dickey himself animate Hart's narration of a remarkable life. Readers of Dickey's National Book Award-winning poetry, his bestselling novel Deliverance, and anyone who witnessed his electrifying readings of his work will savor this book.

Ninety-six alphabetically arranged author profiles include biographical information, critical commentary, and illustrations.

Since World War II, the story of the trauma hero—the noble white man psychologically wounded by his encounter with violence—has become omnipresent in America’s narratives of war, an imaginary solution to the contradictions of American political hegemony. In Total Mobilization, Roy Scranton cuts through the fog of trauma that obscures World War II, uncovering a lost history and reframing the way we talk about war today. Considering often overlooked works by James Jones, Wallace Stevens, Martha Gellhorn, and others, alongside cartoons and films, Scranton investigates the role of the hero in industrial wartime, showing how such writers struggled to make sense of problems that continue to plague us today: the limits of American power, the dangers of political polarization, and the conflicts between nationalism and liberalism. By turning our attention to the ways we make war meaningful—and by excavating the politics implicit within the myth of the traumatized hero—Total Mobilization revises the way we understand not only World War II, but all of postwar American culture.