This instant New York Times bestseller offers a withering view of life on Wall Street from the perspective of an unhappy insider who is too hooked on the money to find a way out, even as his career is ruining his marriage and corroding his soul. It’s 2005. Nick Farmer is a thirty-five-year-old bond trader with Bear Stearns clearing seven figures a year. The novelty of a work-related nightlife centering on liquor, hookers, and cocaine has long since worn thin, though Nick remains keenly addicted to his annual bonus. But the lifestyle is taking a toll on his marriage—and on him. When a nerdy analyst approaches him with apocalyptic prognostications of where Bear’s high-flying mortgage-backed securities trading may lead, Nick is presented with the kind of ethical dilemma he’s spent a lifetime avoiding. Throw in a hot financial journalist who seems to be more interested in him than in the percolating financial Armageddon and the prospect that his own wife may have found a new romantic interest of her own, and you have the recipe for Nick’s personal and professional implosion. By turns hilarious and harrowing, Ghosts of Manhattan follows a winning but flawed protagonist as he struggles to find the right path in a complicated urban heart of darkness

"Growing up in the wealthy suburbs of Philadelphia, Anton Stratis is groomed to be one thing only: the #1 tennis player in the world. Trained relentlessly by his obsessive father, a former athlete who plans every minute of his son's life, Anton both aspires to greatness and resents its all-consuming demands ... Anton explodes from nowhere onto the professional scene and soon becomes one of the top-ranked players in the world, with a coach, a trainer, and an entourage. But as Anton struggles to find a balance between stardom and family, he begins to make compromises"--Amazon.com.

Part Primary Colors, part House of Cards, The Means is a “compelling psychic drama” (Forbes.com) and a “tale of political intrigue” (The Free Lance-Star) that takes you deep into high-stakes politics where everyone has something to hide. Tom Pauley is a conservative trial attorney in Durham, NC, who is tapped by GOP leaders to campaign for the Governor’s mansion. His bold style makes him a favorite for a run at the White House. Mitchell Mason is the president-elect of the United States, pushed into politics by a father determined to create a political dynasty. Mason manages the White House with a personal touch that makes as many friends as enemies. Samantha Davis is a child actor-turned-lawyer-turned-journalist, working her way up from the bottom in a competitive industry. She is determined and brilliant, and her dogged pursuit of a decade-old story could trigger a scandal that would upend the political landscape. New York Times bestselling author Douglas Brunt’s “fast-paced, noirish novel” (Library Journal) creates an incisive portrait of ambition, power, and what it takes to win in the ruthless world of politics today.

The Nuremberg Trials (IMT), most notable for their aim to bring perpetrators of Nazi war crimes to justice in the wake of World War II, paved the way for global conversations about genocide, justice, and human rights that continue to this day. As Francine Hirsch reveals in this new history of the trials, a central part of the story has been ignored or forgotten: the critical role the Soviet Union played in making them happen in the first place. While there were practical reasons for this omission--until recently, critical Soviet documents about Nuremberg were buried in the former Soviet archives, and even Russian researchers had limited access--Hirsch shows that there were political reasons as well. The Soviet Union was regarded by its wartime Allies not just as a fellow victor but a rival, and it was not in the interests of the Western powers to highlight the Soviet contribution to postwar justice. Stalin's Show Trials of the 1930s had both provided a model for Nuremberg and made a mockery of it, undermining any pretense of fairness and justice. Further complicating matters was the fact that the Soviets had allied with the Nazis before being invaded by them. The Molotov-Ribbentrop Pact of 1939 hung over the courtroom, as did the fact that the everyone knew that the Soviet prosecution had presented the court with falsified evidence about the Katyn massacre of Polish officers, attempting to pin one of their own major war crimes on the Nazis. For lead American prosecutor Robert Jackson and his colleagues, focusing too much on the Soviet role in the trials threatened the overall credibility of the IMT and possibly even the collective memory of the war. Soviet Justice at Nuremberg illuminates the ironies of Stalin's henchmen presiding in moral judgment over the Nazis. In effect, the Nazis had learned mass-suppression and mass-murder techniques from the Soviets, their former allies, and now the latter were judging them for crimes they had themselves committed. Yet the Soviets had borne the brunt of the fighting--and the losses--in World War II, and this gave them undeniable authority. Moreover, Soviet jurists were the first to conceive of a legal framework for viewing war as a crime, and without that framework the IMT would have had no basis. In short, there would be no denying their place at the tribunal, nor their determination to make the most of it. Illuminating the shifting relationships between the four countries involved (the U.S., Great Britain, France, and the U.S.S.R.) Hirsch's book shows how each was not just facing off against the Nazi defendants, but against each other and offers a new history of Nuremberg.

Can a book change the world? Fighting Words looks at how the book has fuelled resistance to empire in the long twentieth century. What emerges is a complex portrait of the vital and multifaceted role played by the book in both the formation and the form of anticolonial resistance, and the development of the postcolonial world.

Experience for the first time what it felt like to face Ali in the ring, through accounts of the people that were there - up close! Muhammed Ali cast a blinding light onto his sport, on the tumultuous times he in part initiated, on all of those who surrounded him, and who surround him still. That includes the fighters brave enough to stand alone, across the ring from the greatest heavyweight champion of all time. Ali's own story has been told again and again, but the stories of those who faced him have, by and large, been ignored. For each, the moments alone with Ali changed their careers, changed their lives, and affected them for ever. FACING ALI tells the story of fifteen men from around the world, from famous names like Joe Frazier, Joe Bugner, George Foreman and Henry Cooper to lesser lights like Tunney Hunsaker and Jurgen Blin. Each man, many for the first time, tell their stories in their own words. The resulting book offers a unique perspective on what it was really like to fight Ali, and gives new insights into the character of the most famous man on the planet.