Unlock the more straightforward side of Bruges-la-Morte with this concise and insightful summary and analysis! This engaging summary presents an analysis of Bruges-la-Morte by Georges Rodenbach, a fascinating exploration of its protagonist’s struggle to cope with bereavement. Hugues Viane is a widower living in Bruges who sees echoes and reflections of his late wife everywhere in the town. However, when he has a chance encounter with a charming dancer, he starts seeing his wife in her instead, and embarks on a complicated relationship with her that eventually ends in tragedy... Rodenbach was one of the most important Belgian writers of the 19th century and a leading figure in the Symbolist movement. He died in Paris in 1898. Find out everything you need to know about Bruges-la-Morte in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you in your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!

During the final decades of the nineteenth century, a common mind-set emerged among many intellectuals--"la decadence." Many novels and novellas of the period were populated with protagonists who were fragile, refined, self-absorbed, and preoccupied with a trivially exquisite aesthetic. A Baedeker of Decadence presents thirty-two international works of literary decadence written between 1884 and 1927. George C. Schoolfield, a world authority on the decadent novel, offers an entertaining and wide-ranging commentary on this highly significant literary and cultural phenomenon. Schoolfield tracks down the symptoms of decadence in narrative works written in more than a dozen languages, providing synopses and passages in English translation to give a sense of each author's style and tone. Schoolfield throws new light on the close intellectual kinship of authors from August Strindberg to Bram Stoker to Thomas Mann, and on the ingredients, themes, motifs, and preconceptions that characterized decadent literature.

W. G. Sebald’s celebrated masterpiece, “one of the supreme works of art of our time” (The Guardian), follows a man’s search for the answer to his life’s central riddle. “Haunting . . . a powerful and resonant work of the historical imagination . . . Reminiscent at once of Ingmar Bergman’s Wild Strawberries, Kafka’s troubled fables of guilt and apprehension, and, of course, Proust’s Remembrance of Things Past.”—Michiko Kakutani, The New York Times One of The New York Times’s 10 Best Books of the 21st Century • A Los Angeles Times, Entertainment Weekly, and New York Magazine Best Book of the Year Winner of the National Book Critics Circle Award, Koret Jewish Book Award, Independent Foreign Fiction Prize, and Jewish Quarterly Wingate Literary Prize A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion. Over the course of a thirty-year conversation unfolding in train stations and travelers’ stops across England and Europe, W. G. Sebald’s unnamed narrator and Jacques Austerlitz discuss Austerlitz’s ongoing efforts to understand who he is—a struggle to impose coherence on memory that embodies the universal human search for identity.

Obsessed with one of his pupils, teacher Edward Manners becomes embroiled in affairs with two other men, but only after discovering the life and work of Symbolist painter Edgard Orst does he come to understand the implications of obsession. Reprint.

The Companion combines a broad grounding in the essentialtexts and contexts of the modernist movement with the uniqueinsights of scholars whose careers have been devoted to the studyof modernism. An essential resource for students and teachers of modernistliterature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the mostdistinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture,contemporary intellectual and aesthetic movements, and all thegenres of modernist writing and art Features 25 essays on the signal texts of modernist literature,from James Joyce’s Ulysses to Zora NealHurston’s Their Eyes Were Watching God Pays close attention to both British and Americanmodernism

Hans Cadzand's father dies when he is an infant and he becomes the centre of his mother's life. As he grows up from a pretty child to a serious young man with deep religious convictions, she hopes she will remain the centre of his life. This long novella is supplemented by shorter pieces from the collection 'Le Rouet des Brumes'.

Karl Braun is a slight, grey-haired man who lodges in West London and works as a tuner for a firm of piano makers who know little or nothing about him. His fellow lodgers believe that he, like them, came to England to flee Hitler. But the outwardly poised Herr Braun is inwardly a very anxious man, wracked especially by newspaper reports of the ongoing hunt for Nazi war criminals. The Glass Pearls (1966) was the second novel by Emeric Pressburger, who, with Michael Powell, created such cinematic masterworks as A Matter of Life and Death and The Red Shoes. Likely inspired by the capture of Adolf Eichmann, it is a gripping psychological study of a cultured man, guilty of unspeakable crimes, trying to hide in plain sight. This new edition includes two new introductions, by cinema scholar Caitlin McDonald and by Pressburger's grandson, the Oscar-winning film director Kevin Macdonald.