In THE RAVEN IN THE FOREGATE Brother Cadfael finds that a young man working in the Abbey's herb garden is suspected of murder. In THE ROSE RENT Brother Cadfael belives the motive for a callous murder is all too obvious, but he soon learns that when love and money are involved, nothing is straightforward. In THE HERMIT OF EYTON FOREST Brother Cadfael's tranquil life as a herbalist is disturbed by the arrival of a saintly hermit and the disappearance of a young boy.

This volume contains three of Brother Cadfael's Chronicles: ST PETER'S FAIR. An unseemly quarrel between the local burghers and the monks from the Benedictine monastery in Shrewsbury over who shall benefit from the levies on Shrewsbury's annual Fair leaves a merchant dead, and Cadfael is summoned from the peace of his herb garden to practice his skills as a detective. THE LEPER OF ST GILES. Outside the walls of Shrewsbury is St Giles, a sanctuary for the sick, but also a possible refuge for a wanted man. When a member of a wedding party is savagely murdered, Brother Cadfael finds himself at St Giles as herbalist and as detective in search of the killer. THE VIRGIN IN THE ICE. In the winter of 1139 civil war brings refugees to Shrewsbury in search of sanctuary. But two orphans and their companion, a nun, don't arrive from Worcester, and Cadfael is despatched from the Abbey to try and locate them in the harsh winter landscape of frost and snow.

The purpose of this publication is to consolidate the training material utilized in the Managing Death Investigation Course and Death Investigation Field Schools conducted by the Behavioural Science Unit, FBI Academy,

Burial Plots in British Detective Fiction offers an overview of the ways in which the past is brought back to the surface and influences the present in British detective fiction written between 1920 and 2020. Exploring a range of authors including Agatha Christie, Patricia Wentworth, Val McDermid, Sarah Caudwell, Georgette Heyer, Dorothy Dunnett, Jonathan Stroud and Ben Aaronovitch, Lisa Hopkins argues that both the literal and literary disinterment of the past use elements of the national past to interrogate the present. As such, in the texts discussed, uncovering the truth about an individual crime is also typically an uncovering of a more general connection between the present and the past. Whether detective novels explore murders on archaeological digs, hauntings, cold crimes or killings at Christmas, Hopkins explores the underlying message that you cannot understand the present unless you understand the past.