Carl E. Prince captures the intensity and depth of the baseball team Brooklyn Dodger's relationship to the community and its people in the 1950's. Ethnic and racial tensions in Brooklyn were smoothed by the Dodgers' presence.

During the 1952 World Series, a Yankee fan trying to watch the game in a Brooklyn bar was told, "Why don't you go back where you belong, Yankee lover?" "I got a right to cheer my team," the intruder responded, "this is a free country." "This ain't no free country, chum," countered the Dodger fan, "this is Brooklyn." Brooklynites loved their "Bums"--Pee Wee Reese, Jackie Robinson, Duke Snider, Roy Campanella, and all the murderous parade of regulars who, after years of struggle, finally won the World Series in 1955. One could not live in Brooklyn and not catch its spirit of devotion to its baseball club. In Brooklyn's Dodgers, Carl E. Prince captures the intensity and depth of the team's relationship to the community and its people in the 1950s. Ethnic and racial tensions were part and parcel of a working class borough; the Dodgers' presence smoothed the rough edges of the ghetto conflict always present in the life of Brooklyn. The Dodger-inspired baseball program at the fabled Parade Grounds provided a path for boys that occasionally led to the prestigious "Dodger Rookie Team," and sometimes, via minor league contracts, to Ebbets Field itself. There were the boys who lined Bedford Avenue on game days hoping to retrieve home run balls and the men in the many bars who were not only devoted fans but collectively the keepers of the Dodger past--as were Brooklyn women, and in numbers. Indeed, women were tied to the Dodgers no less than their husbands, fathers, brothers, and sons; they were only less visible. A few, like Pulitzer Prize-winning poet Marianne Moore and working class stiff Hilda Chester were regulars at Ebbets Field and far from invisible. Prince also explores the underside of the Dodgers--the "baseball Annies," and the paternity suits that went with the territory. The Dodgers' male culture was played out as well in the team's politics, in the owners' manipulation of Dodger male egos, opponents' race-baiting, and the macho bravado of the team (how Jackie Robinson, for instance, would prod Giants' catcher Sal Yvars to impotent rage by signaling him when he was going to steal second base, then taunting him from second after the steal). The day in 1957 when Walter O'Malley, the owner of the Brooklyn Dodgers, announced that the team would be leaving for Los Angeles was one of the worst moments in baseball history, and a sad day in Brooklyn's history as well. The Dodger team was, to a degree unmatched in other major league cities, deeply enmeshed in the life and psyche of Brooklyn and its people. In this superb volume, Carl Prince illuminates this "Brooklyn" in the golden years after the Second World War.

The Brooklyn Dodgers held spring training in Havana in 1947 so Jackie Robinson could practice safely. Yet that was hardly the beginning: the Bums played in Cuba over 60 seasons, from 1900 to 1959. Ballplayers drank hard with Hemingway. Some found themselves in Cuban jails. Pitcher Van Lingle Mungo, barricaded in the Hotel Nacional with two women, fended off an angry husband (and his machete). Leo Durocher got into a brawl with an umpire, after Lippy's translator correctly cursed him in Spanish. Vin Scully watched machine gun-toting barbudas enter the room. An outfielder leaped into the stands, with a loaded gun, to chase a fan. Several players encountered Castro, who once walked onto the field in his fatigues, patted his pistol, and said to Lefty Locklin, "Tonight, we win."

McGee chronicles the Ebbets Field's vibrant history from the first pitch thrown in 1913, through the last out in 1957, until the wrecking ball's descent in 1960. During this period, Ebbets Field was hallowed ground to many Brooklynites.

Tells the story of the 1947 Brooklyn Dodgers in contextualized biographies of the players, managers, and everyone else important to the team.

It's been over 50 years since they moved to Los Angeles, but the Brooklyn Dodgers remain ingrained in the fabric of our national pastime. Golenbock's oral history of these "lovable losers" tells the team's tale through the words of Pee Wee Reese, Leo Durocher, Duke Snider, and other Brooklyn greats.

This work, which picks up where the author's previous book, The Brooklyn Dodgers in the 1940s (McFarland, 2005), left off, covers the Dodgers' final eight years in Brooklyn. Chapters carry the reader from the 1951 playoffs, when a late season collapse and Thomson's "Shot Heard Round the World" dealt Brooklyn a heartbreaking blow, through the 1955 World Series title, and finally to Walter O'Malley's controversial decision to move the team to Los Angeles. The author covers each season in-depth and assesses popular perceptions of the Dodgers, their players and owners, and considers O'Malley's culpability in the team's departure, which ended a string of 74 years in which Brooklyn had major league baseball.