Themes of the American West have been enduringly popular, and 'The American West in Bronze' features sixty-five iconic bronzes that display a range of subjects, from portrayals of the noble Indian to rough-and-tumble scenes of rowdy cowboys to tributes to the pioneers who settled the lands west of the Mississippi. Fascinating texts offer a fresh look at the roles that artists played in creating interpretations of the "vanishing West"--Whether based on fact, fiction or something in-between. These artists, including Charles M. Russell and Frederic Remington, embody a range of life experiences and artistic approaches."'The American West in Bronze, 1850-1925' is the first full-scale exhibition to explore the aesthetic and cultural impulses behind the creation of statuettes with American western themes, which have been so popular with audiences then and now. Both the exhibition and this accompanying catalogue offer a fresh look at the multifaceted roles played by these sculptors in creating three-dimensional interpretations of western life, whether based on historical fact, mythologized fiction, or most often, something in-between. Examples by such archetypal representatives of the West as Frederic Remington and Charles M. Russell are complemented by the work of sculptors such as James Earle Fraser and Paul Manship, who contributed to the popularity of the American bronze statuette even though their western subjects were less frequent."--Publisher's description.

- Presents a selection of works in the Petrie Institute of Western American Art collectionThis volume collects a selection of works of art produced in the western United States belonging to the collection of the Petrie Institute of Western American Art housed in the Denver Art Museum. This collection is one of the richest and most substantial in the world on this subject, thanks to its outstanding bronze sculptures, early modern works, and contributions from the artistic communities of Taos and Santa Fe. The central theme of the book is the period stretching from the beginning of the 19th century to the mid-20th century. More than 200 pages of portraits, genre scenes, landscapes, and depictions of a still-intact wilderness make evident the diversity of the collection. The narrative proceeds chronologically, presenting early luminaries such as Albert Bierstadt, Frederic Remington, and Charles M. Russell; Robert Henri and the artists of the TAO community; and prominent modernist painters, including Maynard Dixon, Marsden Hartley, and Raymond Jonson. Numerous illustrations and expert interpretations chronicle the artistic, cultural, and identarian climate in the western United States during this period. A prologue by historian Dan Flores and an epilogue by art historian Erika Doss describe the vaster context in which to view this rich history of American art.

Hoo-Doo Cowboys and Bronze Buckaroos undertakes an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or underrepresented in studies focused only on traditional literary material. The book engages heretofore unexamined writing by Rose Gordon, who wrote for local Montana newspapers rather than for a national audience; memoirs and letters of musicians, performers, and singers (such as W. C. Handy and Taylor Gordon), who lived in or wrote about touring the American West; the novels and films of Oscar Micheaux; black-cast westerns starring Herb Jeffries; largely unappreciated and unexamined episodes from the "golden age of western television" that feature African American actors; film and television westerns that use science fiction settings to imagine a "postracial" or "postsoul" frontier; Percival Everett's fiction addressing contemporary black western experience; and movies as recent as Quentin Tarantino's Django Unchained. Despite recent interest in the history of the African American West, we know very little about how the African American past in the West has been depicted in a full range of imaginative forms. Hoo-Doo Cowboys and Bronze Buckaroos advances our discovery of how the African American West has been experienced, imagined, portrayed, and performed.

Hoo-Doo Cowboys and Bronze Buckaroos undertakes an interdisciplinary exploration of the African American West through close readings of texts from a variety of media. This approach allows for both an in-depth analysis of individual texts and a discussion of material often left out or underrepresented in studies focused only on traditional literary material. The book engages heretofore unexamined writing by Rose Gordon, who wrote for local Montana newspapers rather than for a national audience; memoirs and letters of musicians, performers, and singers (such as W. C. Handy and Taylor Gordon), who lived in or wrote about touring the American West; the novels and films of Oscar Micheaux; black-cast westerns starring Herb Jeffries; largely unappreciated and unexamined episodes from the "golden age of western television" that feature African American actors; film and television westerns that use science fiction settings to imagine a "postracial" or "postsoul" frontier; Percival Everett's fiction addressing contemporary black western experience; and movies as recent as Quentin Tarantino's Django Unchained. Despite recent interest in the history of the African American West, we know very little about how the African American past in the West has been depicted in a full range of imaginative forms. Hoo-Doo Cowboys and Bronze Buckaroos advances our discovery of how the African American West has been experienced, imagined, portrayed, and performed.

Based on recent archaeological discoveries, this study explores the theory that Bronze-Age Swedes visited North America around the St. Lawrence River and that some Nordics migrated west, intermarrying with the Dakota tribes to form the Sioux nation

More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Out also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.