Bronze ornaments of the Nordic Bronze Age were elaborate objects that served as status symbols to communicate social hierarchy. An interdisciplinary investigation of the artefacts (dating from 1500-1100 BC) was adopted to elucidate their manufacture and origin, resulting in new insights into metal craft in northern Europe during the Bronze Age.

This book collects recent works on the subjects of sacrificial offerings, ritualized violence and the relative values thereof in the contexts of Scandinavian prehistory from the Neolithic to the Viking era. The volume builds on a workshop hosted at the National Museum of Denmark in 2018 which inaugurated the beginning of the research project ‘Human Sacrifice and Value: The limits of sacred violence’ and was supported by the Museum of Cultural History at the University of Oslo. The volume brings together research and perspectives that attempt to go beyond the who, what and where of most archaeological and anthropological investigations of sacrificial violence to address both the underlying and explicit forms of value associated with such events. The volume re-opens investigations into notions of value relating to diverse evidence and suggested evidence for human sacrifice and related ritualized violence. It covers a broad spectrum of issues relating to novel interpretations of the existing archaeological materials, but with a focus on the study of value and value dynamics in these diverse ritual contexts, engaging in questions of identity, cosmology, economics and social relations. Cases span from the Scandinavian Late Neolithic and Nordic Bronze Age, through to the well-known wetland deposits and bog bodies of the Iron Age, to Viking era executions, ‘deviant’ burials and contemporaneous double/multiple graves, exploring the implications for the transformation of sacrificial practices across Scandinavian prehistory. Each contribution attempts to untangle the myriad forms of value at play in different incarnations of human offerings, and provide insights into how those values were expressed, e.g., in the selection and treatment of victims in relation to their status, personhood, identity and life-history.

This book explores the complex relationship between production, trade, and connectivity in pre-Roman Italy, confronting established ideas about the connections between people, objects, and ideas, and highlighting how social change and community formation are rooted in individual interactions. The volume engages with, and builds upon, recent paradigm shifts in the archaeology and history of the ancient Mediterranean which have centred the social and economic processes that produce communities. It utilises a series of case studies, encompassing the production, trade, and movement of objects and people, to explore new models for how production is organised and the recursive relationship which exists between the cultural and economic spheres of human society. The contributions address issues of agency and production at multiple scales of analysis, from larger theoretical discussions of trade and identity across different regions to context-specific explorations of production techniques and the distribution of material culture across the Italian peninsula. Production, Trade, and Connectivity in Pre-Roman Italy is intended for students and scholars interested in the archaeology and history of pre-Roman and early Republican Italy, but especially production, trade, community formation, and identity. Those interested in issues of cultural interaction and material change in the ancient Mediterranean world will find useful comparative examples and methodological approaches throughout.

Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.

The Social Context of Technology explores non-ferrous metalworking in Britain and Ireland during the Bronze and Iron Ages (c. 2500 BC to 1st century AD). Bronze-working dominates the evidence, though the crafting of other non-ferrous metals – including gold, silver, tin and lead – is also considered. Metalwork has long played a central role in accounts of European later prehistory. Metals were important for making functional tools, and elaborate decorated objects that were symbols of prestige. Metalwork could be treated in special or ritualised ways, by being accumulated in large hoards or placed in rivers or bogs. But who made these objects? Prehistoric smiths have been portrayed by some as prosaic technicians, and by others as mystical figures akin to magicians. They have been seen both as independent, travelling ‘entrepreneurs’, and as the dependents of elite patrons. Hitherto, these competing models have not been tested through a comprehensive assessment of the archaeological evidence for metalworking. This volume fills that gap, with analysis focused on metalworking tools and waste, such as crucibles, moulds, casting debris and smithing implements. The find contexts of these objects are examined, both to identify places where metalworking occurred, and to investigate the cultural practices behind the deposition of metalworking debris. The key questions are: what was the social context of this craft, and what was its ideological significance? How did this vary regionally and change over time? As well as elucidating a key aspect of later prehistoric life in Britain and Ireland, this important examination by leading scholars contributes to broader debates on material culture and the social role of craft.

Broken Bodies, Places and Objects demonstrates the breadth of fragmentation and fragment use in prehistory and history and provides an up-to-date insight into current archaeological thinking around the topic. A seal broken and shared by two trade parties, dog jaws accompanying the dead in Mesolithic burials, fragments of ancient warships commodified as souvenirs, parts of an ancient dynastic throne split up between different colonial collections... Pieces of the past are everywhere around us. Fragments have a special potential precisely because of their incomplete format – as a new matter that can reference its original whole but can also live on with new, unrelated meanings. Deliberate breakage of bodies, places and objects for the use of fragments has been attested from all time periods in the past. It has now been over 20 years since John Chapman’s major publication introducing fragmentation studies, and the topic is more present than ever in archaeology. This volume offers the first European-wide review of the concept of fragmentation, collecting case studies from the Neolithic to Modernity and extending the ideas of fragmentation theory in new directions. The book is written for scholars and students in archaeology, but it is also relevant for neighbouring fields with an interest in material culture, such as anthropology, history, cultural heritage studies, museology, art and architecture.