Four years. Four lives changed forever. November 1914 When Freddie Chevalier's best friend, Charles, joins the cavalry and sets off to fight in the Great War he can't help feeling he's missing out. Until the war he enjoyed his bucolic existence working on his parent's farm on the island of Jersey, but now he yearns for excitement. He's always harboured a secret passion for Charles' fiancee, Meri. She's 'The Girl'. The one he loves but can't have. Nothing compares to the guilt he feels when Meri comes to stay at his home on her way to France and he betrays Charles in the worst possible way. Can Freddie and Meri keep Charles from ever discovering what happened between them? Will Freddie ever notice Charles' younger sister, Lexi? And how will they all react when one of them is almost killed and has to cope with a life-changing injury? One thing is for certain, none of them knows the other as well as they thought. Each will be forced to take charge of their lives and find ways to live with the consequences of the choices that they and others have made. And by November 1918 everything they thought of as familiar will have vanished."

This book examines the British response to the huge number of soldiers who incurred facial injuries during the First World War.

This book explores for the first time the individual and collective significance of First World War facially disfigured combatants, with a special focus on France, Germany and Great Britain. It illuminates our understanding of how the combatant and the onlooker made sense of the experience and the memory of the war.

A remote medical clinic in an abandoned Canadian meat plant specializes in restoring people's faces. The owner recuits a young disgraced ER doctor & together they expand the clinic's reputation by handling only the most difficult high profile cases, those other doctors refuse. Three horribly disfigured sisters are discovered in remote Montana. The doctors create 3 beauties, one of which closely resembles a deceased movie star. Two sisters are offered movie careers in Hollywood & eventually one dies of AIDS & the other commits suicide. The younger doctor unexpectedly finds & marries the 3rd sister. During an emergency procedure on the only survivor of a plane crash in Vail, he discovers through routine DNA testing that the boy is related to his wife. She hires a retired LA police detective to solve the mystery. Repercussion in the the form of letter bombs & attacks immediately follow & the Clinic hires a group of forgotten Vietnam era military snipers, now led by a self proclaimed Reverend to protect them.

Winner of the 2018 Pura Belpre Award! “A book for anyone mending from childhood wounds.”—Sandra Cisneros, author of The House on Mango Street In this unforgettable multicultural coming-of-age narrative—based on the author’s childhood in the 1960s—a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie’s plight will intrigue readers, and her powerful story of strength and resilience, full of color, light, and poignancy, will stay with them for a long time. Ruthie Mizrahi and her family recently emigrated from Castro’s Cuba to New York City. Just when she’s finally beginning to gain confidence in her mastery of English—and enjoying her reign as her neighborhood’s hopscotch queen—a horrific car accident leaves her in a body cast and confined her to her bed for a long recovery. As Ruthie’s world shrinks because of her inability to move, her powers of observation and her heart grow larger and she comes to understand how fragile life is, how vulnerable we all are as human beings, and how friends, neighbors, and the power of the arts can sweeten even the worst of times.

A New York Times Bestseller Finalist for the 2022 Kirkus Prize | Named a best book of the year by The Guardian "Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

The poems in The Broken Face explore a sacramental, imaginative vision within contexts of crime, perception, memory and love. In this collection, Russell Thornton returns to the vital themes of intimacy and family, loss, fear and hope, bringing to each poem the essential quality of a myth or incantation. Reverent and revealing, within those familiar relationships he ushers in a connection with something transcendent: “A man has come floundering late in the night / to stand alone at the shore of a sleeping infant’s face.” The poems capture life at the periphery, whether describing homelessness or incarceration, or even the universal experiences of aging and mortality, love and fear of love, all of which bring the speaker into a detached yet energized state of watching and waiting: “the door that was my grandfather into our passing lives / will arrive at a house where each of us is his own door / that opens on our first selves, fundamental together.” With intense lyricism, Thornton displays a mastery of craft so complete as to be nearly invisible. While stunningly beautiful, his imagery is also in such complete service to the deeper emotional resonance of each poem that it feels inevitable, and contributes to making the collection deeply moving.