The incredible true story of one dog’s heroic feats during the 2017 Tubbs Fire, one of the most destructive wildfires in California history. One October night in 2017, when wildfire raged in Sonoma and Napa counties, the Hendel family was suddenly evacuated from their homes and farms to escape to safety and forced to leave behind their Pyrenees dog, Odin. Odin refused to leave his nightly post of guarding the family’s eight young goats, despite the family’s desperate attempts to lead him away. Brokenhearted, the Hendels were sure they would never see their dog again. But when the fire calmed and the family returned home, to their shock they found Odin singed yet safe, along with all the goats and several orphaned deer the dog had protected as well. Odin, Dog Hero of the Fires is a touching and inspirational true tale that honors the bravery and strength of Odin as well as commemorates the stories of those affected by the Tubbs Fire.

A masterpiece of linguistics scholarship, at once erudite and entertaining, confronts the thorny question of how—and whether—culture shapes language and language, culture Linguistics has long shied away from claiming any link between a language and the culture of its speakers: too much simplistic (even bigoted) chatter about the romance of Italian and the goose-stepping orderliness of German has made serious thinkers wary of the entire subject. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language—and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is—yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water—a "she"—becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial. Audacious, delightful, and field-changing, Through the Language Glass is a classic of intellectual discovery.

Where could Bongo be? Help a young boy find his beloved toy—and figure out how he got lost to begin with. The boy knows Bongo was right there with him this morning—but suddenly, Bongo is missing. He asks his whole family if they've seen the stuffed toy. "Yo no sé," says abuela, "I don't know." Mom and Dad haven't seen him either. And Gato just meows and runs away. When he finds Bongo, the boy is thrilled—but he still doesn't understand how his toy ended up there. So he sets a trap to catch the Bongo thief. . . . Eric Velasquez's detailed, expressive illustrations follow the boy's investigation throughout his home, giving a glimpse at a warm, multi-generational family. A Bank Street Best Children's Book of the Year

You’ll be amazed to discover all the different reasons why animals have spots! What kinds of animals have spots and why do they have them? With engaging rhymes and bright, bold images, award-winning author-illustrator Susan Stockdale introduces readers to a range of spotted animals, familiar and exotic, and some of the benefits of their patterns. In addition to providing beauty and inspiration, spots can help a creature masquerade as a different, more threatening species, provide camouflage for hunting or hiding, or scare off predators. From the ladybug to the blue poison dart frog, the green anaconda to the white-tailed deer fawn, these spectacularly spotted creatures will delight and fascinate budding naturalists. This entrancing companion to Stripes of All Types (130,000 copies sold in a variety of formats) features energetic rhyming text and beautifully detailed paintings that pop off the page. An afterword tells a little bit more about each animal and where it lives, and readers can test their knowledge of animal spots with a fun matching game at the end.

Twentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists. Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct an original and compelling view of his subject. He demonstrates that contemporary Spanish verse is rooted in the modem tradition and poetics that see the text as a unique embodiment of complex experiences. He then traces the evolution of that tradition in the early decades of the century and its gradual disintegration from the 1950s to the present as Spanish poetry came to reflect features of the postmodern, especially the poetics of text as process rather than as product. By centering his study on major periods and examining within each the work of poets of different ages, Debicki develops novel perspectives. The late 1960s and early 1970s, for example, were not merely the setting for a new aestheticist generation but an era of exceptional creativity in which both established and new writers engendered a profound, intertextual, and often self-referential lyricism. This book will be essential reading for specialists in modern Spanish letters, for advanced students, and for readers inter-ested in comparative literature.

A bilingual edition of the noted Cuban poet's first published book of poetry, written while he was in exile far from his wife and son, expresses his love for his child and his hopes for the boy's future.