Broadway Yearbook 2000-2001 is a relevant and irreverent record of the theatrical year. A vivid album of the year on the Great White Way, Broadway Yearbook gives readers front-row seats for the phenomenon of The Producers and the rest of the season's hits and misses. Steven Suskin's acclaimed new theatre annual delivers a vibrant, candid, and thoughtful account of every show to hit the boards: exciting musicals such as The Full Monty and the revival of 42nd Street; intriguing new plays like Proof and The Tale of the Allergist's Wife; and fascinating failures, including Jane Eyre and the beleaguered Seussical. Broadway Yearbook tells us what the shows were actually like. It is an interpretive record, featuring not only dates and names but also the stories behind the statistics. Each entry is accompanied by credits and cast lists, scorecards summarizing overall critical reception for each show, a summary of each show's financial performance, and copies of the illustrative program covers and title pages. Appendices provide a roundup of the season's major awards, memorable performances of the year, obituaries, long run leaders, shows still running from prior seasons, scheduled shows that never reached Broadway, and a comprehensive index. Steven Suskin has provided a unique and detailed record of the season's memorable moments and high points (and low points as well). Written from an insider's perspective, the book is knowledgeable, intriguing, provocative, and entertaining. Broadway Yearbook brings the shows of the 2000-2001 season back for an encore.

Annotation A vivid album of the year on the Great White Way, "Broadway Yearbook" gives readers front-row seats for the phenomenon of "The Producers" and the rest of the season's hits and misses. 31 halftones.

Called the "theater equivalent of longtime New Yorker film critic Pauline Kael" by Matinee Magazine, critic and producer Steven Suskin chronicles the 2001-2002 theater season in his latest installment in the Broadway Yearbook series. Commenting with wit and erudition on each show that opened on Broadway between May 2001 and May 2002, Suskin's vivid descriptions recall Tony winners like Thoroughly Modern Millie and Urinetown and commercial smashes like Mamma Mia! and The Graduate. A great read for theater buffs, the book is also a valuable sourcebook for critics, Broadway historians, and theater professionals, providing an array of statistics on every Broadway production of the season, as well as noteworthy off-Broadway performances. The intelligent and witty Broadway Yearbook, 2001-2002 will engage theater lovers, performers, and critics alike.

Broadway Yearbook 2000-2001' is a relevant and irreverent record of the year on the Great White Way. It gives readers front-row seats for the phenomenon of 'The Producers' and the rest of the season's hits and misses. Steven Suskin's theatre annual aims to deliver a vibrant, candid, and thoughtful account of every show to hit the boards.

Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.