Bursting with bittersweet nostalgia, a funny, poignant, perfectly voiced debut that captures what it's like to be a teenage girl—“full of brilliantly-rendered awkwardness and the hilarious minor horrors of a privileged adolescence, The Brittanys shimmers with the everyday incandescence of youth” (Kimberly King Parsons, author of Black Light). They're not the most popular freshmen at their Florida prep school, but at least everyone knows their name(s). The Brittanys. Brittany Rosenberg: drives her golf cart around her subdivision to meet boys. Brittany Gottlieb: insists you can't lose your virginity if you haven't gotten your period. (She heard it somewhere!) Brittany Tomassi: is from New York. Brittany Jensen: once threw her tampon into a stranger's swimming pool. A brash, bold, unapologetic tomboy. And the greatest person in the whole wide world. At least as far as the fifth Brittany--our narrator--is concerned. Even within their friend group, she and Jensen are a duo: with their matching JanSport backpacks, Tiffany chokers, and Victoria's Secret push-up bras, they are unstoppable. And now that they're finally growing up, they're going to do everything: dye their hair, attend no-parent parties, try pot . . . maybe even lose their virginities. 2004 is totally going to be their year! Except Jensen's interests may be diverging from her friends'. And within our narrator's own family--in the lives of her exhausted mother and beloved, genius older brother--life-changing events may be taking shape. Events that only years later, looking back, she has the perspective to see. A VINTAGE ORIGINAL

"Roll over, Maigret. Commissaire Dupin has arrived."—M.C. Beaton Commissaire Georges Dupin, a cantankerous, Parisian-born caffeine junkie recently relocated from the glamour of Paris to the remote (if picturesque) Breton coast, is dragged from his morning croissant and coffee to the scene of a curious murder. The local village of Pont-Aven—a sleepy community by the sea where everyone knows one other and nothing much seems to happen—is in shock. The legendary ninety-one-year-old hotelier Pierre-Louis Pennec, owner of the Central Hotel, has been found dead. A picture-perfect seaside village that played host to Gaugin in the nineteenth century, Pont-Aven is at the height of its tourist season and is immediately thrown into uproar. As Dupin delves into the lives of the victim and the suspects, he uncovers a web of secrecy and silence that belies the village's quaint image. A delectable read, Jean-Luc Bannalec's Death in Brittany transports readers to the French coast, where you can practically smell the sea air and taste the perfectly cooked steak frites in an expertly crafted, page-turning mystery for fans of Martin Walker.

LOS ANGELES TIMES BOOK PRIZE FINALIST • NAACP IMAGE AWARD NOMINEE • A “powerful and devastating” (The Washington Post) call to free those buried alive by America’s legal system, and an inspiring true story about unwavering belief in humanity—from a gifted young lawyer and important new voice in the movement to transform the system. “An essential book for our time . . . Brittany K. Barnett is a star.”—Van Jones, CEO of REFORM Alliance, CNN Host, and New York Times bestselling author Brittany K. Barnett was only a law student when she came across the case that would change her life forever—that of Sharanda Jones, single mother, business owner, and, like Brittany, Black daughter of the rural South. A victim of America’s devastating war on drugs, Sharanda had been torn away from her young daughter and was serving a life sentence without parole—for a first-time drug offense. In Sharanda, Brittany saw haunting echoes of her own life, as the daughter of a formerly incarcerated mother. As she studied this case, a system came into focus in which widespread racial injustice forms the core of America’s addiction to incarceration. Moved by Sharanda’s plight, Brittany set to work to gain her freedom. This had never been the plan. Bright and ambitious, Brittany was a successful accountant on her way to a high-powered future in corporate law. But Sharanda’s case opened the door to a harrowing journey through the criminal justice system. By day she moved billion-dollar deals, and by night she worked pro bono to free clients in near hopeless legal battles. Ultimately, her path transformed her understanding of injustice in the courts, of genius languishing behind bars, and the very definition of freedom itself. Brittany’s riveting memoir is at once a coming-of-age story and a powerful evocation of what it takes to bring hope and justice to a system built to resist them both. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS

Ducal charters illuminate politics, external relations, and the conduct of government, and also Breton society and institutions. The indispensable charter collection for the Breton lands in the complex period of the break-up of the Angevin hegemony. ENGLISH HISTORICAL REVIEW Around 1200, sovereignty over the duchy of Brittany was disputed by the Angevin kings of England and the Capetian kings of France. With few local chronicle sources concerning Brittany in this important period, ducal charters provide crucial evidence for politics, external relations, and the conduct of government. They are also an essential source for Breton society and institutions in a period of rapid change and development. Collected here for the first time are the acts of Duchess Constance (1171-1201), her mother, dowager-duchess Margaret of Scotland, Constance's three husbands, Geoffrey, son of King Henry II, Ranulf III, earl of Chester, and Guy de Thouars, and her three children, Eleanor, Arthur of Brittany, and Alice, who succeeded in 1213 toa duchy under Capetian sovereignty. The subject matter concerns not only Brittany, but also the Breton rulers' extensive lands in England, the honour of Richmond, and even the counties of Anjou, Maine and Touraine while they wereunder Arthur's rule. The charters are also of wider general significance for the light they cast on the exercise of political power by female rulers. MICHAEL JONES is Emeritus Professor of Medieval French History at theUniversity of Nottingham.

Pure joy and the power of community radiate from this sweet picture book about a young Black girl’s perseverance and confidence in following her double Dutch dreams. Africa’s grandmother was a double Dutch legend, and Africa knows she can become the same. Her brother scoffs when she signs up for a double Dutch competition, though—how can she hope to compete when she’s never done it before? But Africa has all the tools she needs: memories of her grandmother, her bestie Bianca’s dance moves, her friend Omar’s rhythm, and her classmates’ Mary Mack timing and cartwheels. If Africa can pull everything together to jump some winning moves, she might just fly, but it’s the birthmark in the shape of her name that tells her she’s always been a winner.