This book explores aspects of the social and cultural history of nuclear Britain in the Cold War era (1945–1991) and contributes to a more multivalent exploration of the consequences of nuclear choices which are too often left unacknowledged by historians of post-war Britain. In the years after 1945, the British government mobilised money, scientific knowledge, people and military–industrial capacity to create both an independent nuclear deterrent and the generation of electricity through nuclear reactors. This expensive and vast ‘technopolitical’ project, mostly top-secret and run by small sub-committees within government, was central to broader Cold War strategy and policy. Recent attempts to map the resulting social and cultural history of these military–industrial policy decisions suggest that nuclear mobilisation had far-reaching consequences for British life. The chapters in this book were originally published as a special issue of Contemporary British History.

The advent of the atomic bomb, the social and cultural impact of nuclear science, and the history of the British nuclear state after 1945 is a complex and contested story. British Nuclear Culture is an important survey that offers a new interpretation of the nuclear century by tracing the tensions between 'official' and 'unofficial' nuclear narratives in British culture. In this book, Jonathan Hogg argues that nuclear culture was a pervasive and persistent aspect of British life, particularly in the years following 1945. This idea is illustrated through detailed analysis of various primary source materials, such as newspaper articles, government files, fictional texts, film, music and oral testimonies. The book introduces unfamiliar sources to students of nuclear and cold war history, and offers in-depth and critical reflections on the expanding historiography in this area of research. Chronologically arranged, British Nuclear Culture reflects upon, and returns to, a number of key themes throughout, including nuclear anxiety, government policy, civil defence, 'nukespeak' and nuclear subjectivity, individual experience, protest and resistance, and the influence of the British nuclear state on everyday life. The book contains illustrations, individual case studies, a select bibliography, a timeline, and a list of helpful online resources for students of nuclear history.

Forty years before COVID-19, socialists in Britain campaigned for workers to have the right to make ‘socially useful’ products, from hospital equipment to sustain the NHS to affordable heating systems for the impoverished elderly. This movement held one thing responsible above all else for the nation’s problems: the burden of defence spending. In the middle of the Cold War, the left put a direct challenge to the defence industry, the Labour government and trade unions. The response it received revealed much about a military-industrial state that prioritised the making and exporting of arms for political favour and profit. Looking at peace activism from the early 1970s to Labour’s landslide defeat in the 1983 general election, this book examines the conflict over the cost of Britain’s commitment to the Cold War and asserts that the wider left presented a comprehensive and implementable alternative to the stark choice between making weapons and joining the dole queue.

This open access edited collection brings together established and new perspectives on Cold War civil defence in Western Europe within a common analytical framework that also facilitates comparative and transnational dimensions. The current interest in creating disaster-resilient societies demands new histories of civil defence. Historical contextualization is essential in order to understand what is at stake in preparing, devising, and implementing forms of preparedness, protection, and security that are specifically targeted at societies and citizens. Applying the concept of sociotechnical imaginaries to civil defence history, the chapters of this volume cover a range of new themes, from technology and materiality to media, memory, and everyday experience. The book underlines the social embeddedness of civil defence by detailing how it both prompted new forms of social interaction and reflected norms and visions of the ‘good society’ in an age where nuclear technology seemed to hold the key to both doom and salvation.

A cultural history of “Englishness” and the idea of England since 1960. Brexit thrust long fraught debates about “Englishness” and the idea of England into the spotlight. About England explores imaginings of English identity since the 1960s in politics, geography, art, architecture, film, and music. David Matless reveals how the national is entangled with the local, the regional, the European, the international, the imperial, the post-imperial, and the global. He also addresses physical landscapes, from the village and country house to urban, suburban, and industrial spaces, and he reflects on the nature of English modernity. In short, About England uncovers the genealogy of recent cultural and political debates in England, showing how many of today’s social anxieties developed throughout the last half-century.

This book shows that the connected histories of decolonization and globalization concern the practices of individuals and movements as much as they do the ideologies of states, institutions and organizations. Viewing decolonization through non-state activist practices, and setting anti-colonial solidarity in the context of the methods of contemporary global peace movements, it argues that seemingly marginal histories can illuminate aspects of the end of empire that are not readily apparent in studies centred on state diplomacy and nationalist movements. Focusing on a group of British and American activists, including the pacifist campaigner A.J. Muste, the anti-apartheid priest Michael Scott and the civil rights organiser Bayard Rustin, Skinner explores connected global histories of anti-nuclear peace campaigns, anti-colonialism and decolonization to illuminate new perspectives on the end of empire and the Cold War. Studying a failed attempt to infiltrate the French atom bomb test site in southern Algeria, and a mass march across the border between Tanganyika and Northern Rhodesia that never took place, these stories provide valuable insights into the interactions between local and global scales of historical experience. In presenting these histories, this book demonstrates how global and transnational histories can challenge and disrupt, rather than reinforce hierarchies of power and privileges. In doing so, it also contributes to ongoing debates surrounding the nature of decolonization as a historical phenomenon by focusing on the practices of activism that shaped - and were shaped by – the political and intellectual structures of decolonization.

Now that’s what I call a history of the 1980s tells the story of eighties Britain through its popular culture. Charting era-defining moments from Lady Diana’s legs and the miners’ strike to Glastonbury’s Pyramid Stage and Adam and the Ants, Lucy Robinson weaves together an alternative history to the one we think we know. This is not a history of big geopolitical disasters, or a nostalgic romp through discos, shoulder pads and yuppie culture. Instead, the book explores a mashing together of different genres and fan bases in order to make sense of our recent past and give new insights into the decade that defined both globalisation and excess. Packed with archival and cultural research but written with verve and spark, the book offers as much to general readers as to scholars of this period, presenting a distinctive and definitive contemporary history of 1980s Britain, from pop to politics, to cold war cultures, censorship and sexuality.