British Buddhism presents a useful insight into contemporary British Buddhist practice. It provides a survey of the seven largest Buddhist traditions in the United Kingdom, including the Forest Sangha (Theravada) and the Samatha Trust (Theravada), the Serene Reflection Meditation tradition (Soto Zen) and Soka Gakkai (both originally Japanese), the Tibetan Karma Kagyu and New Kadampa traditions and Friends of the Western Buddhist Order. Based on extensive fieldwork, this fascinating book determines how and to what extent British Buddhist groups are changing from their Asian roots, and whether any forms of British Buddhism are beginning to emerge. Despite the popularity of Buddhism in Britain, there has so far been no study documenting the full range of teachings and practice. This is an original study that fills this gap and serves as an important reference point for further studies in this increasingly popular field.

This is the first book to examine the British discovery of Buddhism during the Victorian period. It was only during the nineteenth century that Buddhism became, in the western mind, a religious tradition separate from Hinduism. As a result, Buddha emerge from a realm of myth and was addressed as a historical figure. Almond's exploration of British interpretations of Buddhism--of its founder, its doctrines, its ethics, its social practices, its truth and value--illuminates more than the various aspects of Buddhist culture: it sheds light on the Victorian society making these judgements.

This book analyses the transplantation, development and adaptation of the two largest Tibetan and Zen Buddhist organizations currently active on the British religious landscape: the New Kadampa Tradition (NKT) and the Order of Buddhist Contemplatives (OBC). The key contributions of recent scholarship are evaluated and organised thematically to provide a framework for analysis, and the history and current landscape of contemporary Tibetan and Zen Buddhist practice in Britain are also mapped out. A number of patterns and processes identified elsewhere are exemplified, although certain assumptions made about the nature of 'British Buddhism' are subjected to critical scrutiny and challenged.

Based on detailed ethnographic research, this book explores the varied experiences of women who have converted to Buddhism in contemporary Britain and analyses the implications of their experiences for understanding the translation and transference of Buddhist practices temporally and geographically. This book examines how women initially engage with Buddhist groups, their perspectives on religious discipline, and their relationships to ideas of gender equality and feminism. Whilst the recent study of Buddhism outside Asia has tended to emphasise the transnational and the global, this book de-centres this, highlighting the significance of locality and immediate community in contemporary women's faith practices. Showcasing the narratives and life stories of 25 ordained women across seven different Buddhist groups connected to Britain, the research in this book challenges uncritical assumptions made about 'Western' women who engage with Buddhist practices, and provides a new framing of contemporary ordination through a detailed and holistic examination of a group of Buddhist practitioners that have received little focused attention. The first multi-tradition study of ordained Buddhist women in Britain, this book will be of interest to academics working in the fields of Buddhist studies, religious studies, gender studies, Asian studies and the sociology of religion.

Buddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library’s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.

This book explores the British encounter with Buddhism in nineteenth century Sri Lanka. Its central concern is the way Buddhism was represented and constructed by the British scholars, officials, missionaries, travelers and religious seekers who traveled to the country. The book traces three main historical phases in the encounter from 1796 to 1900 and gives a sensitive and nuanced exegesis of the cultural and political influences that shaped the early British understanding of Buddhism. This work fills a significant gap in scholarship on Theravāda Buddhism in Sri Lanka and its subsequent transmission to the West. Of particular significance is its coverage of how nineteenth century missionary writings on Buddhism affected both the development of Protestant Buddhism and Christian-Buddhist relations in the twentieth century. Through its exploration of original materials connected with several important pioneer writers on Buddhism, it expands the readers' understanding of inter-religious and inter-cultural relations under colonialism. --from back cover.

In his novel Kim, in which a Tibetan pilgrim seeks to visit important Buddhist sites in India, Rudyard Kipling reveals the nineteenth-century fascination with the discovery of the importance of Buddhism in India's past. Janice Leoshko, a scholar of South Asian Buddhist art uses Kipling's account and those of other western writers to offer new insight into the priorities underlying nineteenth-century studies of Buddhist art in India. In the absence of written records, the first explorations of Buddhist sites were often guided by accounts of Chinese pilgrims. They had journeyed to India more than a thousand years earlier in search of sacred traces of the Buddha, the places where he lived, obtained enlightenment, taught and finally passed into nirvana. The British explorers, however, had other interests besides the religion itself. They were motivated by concerns tied to the growing British control of the subcontinent. Building on earlier interventions, Janice Leoshko examines this history of nineteenth-century exploration in order to illuminate how early concerns shaped the way Buddhist art has been studied in the West and presented in its museums.