“The Slumdog Phenomenon” addresses multiple issues related to “Slumdog Millionaire” and, in the process, provides new ways of looking at this controversial film. Each of the book's four sections considers a particular aspect of the film: its relation to the nation, to the slum, to Bollywood and its reception. The volume provides a critical overview of the key issues and debates stemming from the film, and allows readers to reexamine them in light of the anthology's multiple perspectives.

An alternative view of imperial history, exploring the pioneering ways in which South Asians within Britain engaged in radical discourse and political activism.

With a profusion of anecdotes conveying the character of India under British rule. Farwell offers a panoramic survey of the Indian army during the 90 years between the Sepoy Revolt and the births of independent India and Pakistan ...

The revised edition of Robert Stern's book brings India's story up to date. Since its original publication in 1993, much has altered and yet central to the author's argument remains his belief in the remarkable continuity and vitality of India's social systems and its resilience in the face of change. This is a colourful, readable and comprehensive introduction to modern India. In a journey through its family households and villages, the author explains its long-lived and little understood caste and class systems, its venerable faiths and extraordinary ethnic diversity, its history as 'the jewel in the crown' of British imperialism and its post-Independence career as a major agricultural and industrial nation. While paradoxes abound in an India which is constantly transforming, Stern demonstrates how and why it remains the largest and most enduring democracy in the developing world.

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.

‘Britain in India, 1858–1947’ seeks to trace the last 90 years of British rule in the light of modern historical debates. The volume examines the ambiguities of British rule that followed from the post-Mutiny settlement: the tensions between an authoritarian bureaucracy and the promise of a liberal vision of the future, and between imperial interests and the growing coordination of Indian aspirations for self-rule. The volume analyses these tensions with reference to contemporary historical debates, and traces them through changing international relations and world wars to Indian independence and partition in 1947.

A SUNDAY TIMES, THE TIMES, SPECTATOR, NEW STATESMAN, TLS BOOK OF THE YEAR The British in this book lived in India from shortly after the reign of Elizabeth I until well into the reign of Elizabeth II. Who were they? What drove these men and women to risk their lives on long voyages down the Atlantic and across the Indian Ocean or later via the Suez Canal? And when they got to India, what did they do and how did they live? This book explores the lives of the many different sorts of Briton who went to India: viceroys and offcials, soldiers and missionaries, planters and foresters, merchants, engineers, teachers and doctors. It evokes the three and a half centuries of their ambitions and experiences, together with the lives of their families, recording the diversity of their work and their leisure, and the complexity of their relationships with the peoples of India. It also describes the lives of many who did not fit in with the usual image of the Raj: the tramps and rascals, the men who 'went native', the women who scorned the role of the traditional memsahib. David Gilmour has spent decades researching in archives, studying the papers of many people who have never been written about before, to create a magnificent tapestry of British life in India. It is exceptional work of scholarly recovery portrays individuals with understanding and humour, and makes an original and engaging contribution to a long and important period of British and Indian history.