"Crime against first nations is the first crime against humanity." Thus speaks Naskar.

A BUSTLE PERFECT VACATION READ USA Today Bestseller From #1 New York Times bestselling author Lisa Jackson comes a new novel of nerve-jangling suspense as a woman haunted by guilt realizes that nothing can be trusted—not even her own memory . . . IF YOU THINK SOMEONE IS OUT TO GET YOU . . . There are people in Edgewater, Oregon, who think that twenty years ago, Rachel Gaston got away with murder. But Rachel still has no idea how a foolish teenaged game turned deadly—or who replaced her soft pellet air gun with a real weapon. When a figure jumped out at her from the darkness, she fired without thinking. By the time she recognized her half-brother, Luke, it was too late. Blood bloomed around his chest . . . AND SOMEONE REALLY IS . . . Rachel’s horrifying dreams about that night continue. Her anxiety contributed to her divorce from Detective Cade Ryder, though he blames himself too. And now, as Rachel’s high school reunion nears, she feels her imagination playing tricks on her. She’s sure that there’s a hint of unfamiliar cologne in the air. That someone is tailing her car. Watching her home . . . THEN YOU’RE NOT PARANOID . . . She’s right to be scared. And as connections surface between a new string of murders and Luke’s death, Rachel realizes there’s no escaping the past. And the truth may be darker than her worst fears . . .

This fascinating text offers the first in-depth exploration of acting processes in British television. Focused around 16 new interviews with celebrated British actors, including Rebecca Front, Julie Hesmondhalgh, Ken Stott, Penelope Wilton and John Hannah, this rich resource delves behind the scenes of a range of British television programmes in order to find out how actors build their characters for television, how they work on set and location, and how they create their critically acclaimed portrayals. The book looks at actors' work across four diverse but popular genres: soap opera; police and medical drama; comedy; and period drama. Its insightful discussion of hit programmes and its critical and contextual post-interview analysis, makes the text an essential read for students across television and film studies, theatre, performance and acting, and cultural and media studies, as well as academics and anyone interested in acting and British television.

British comedy cinema has been a mainstay of domestic production since the beginning of the last Century and arguably the most popular and important genre in British film history. This edited volume will offer the first comprehensive account of the rich and popular history of British comedy cinema from silent slapstick and satire to contemporary romantic comedy. Using a loosely chronological approach, essays cover successive decades of the 20th and 21st Century with a combination of case studies on key personalities, production cycles and studio output along with fresh approaches to issues of class and gender representation. It will present new research on familiar comedy cycles such as the Ealing Comedies and Carry On films as well as the largely undocumented silent period along with the rise of television spin offs from the 1970s and the development of animated comedy from 1915 to the present. Films covered include: St Trinians, A Fish Called Wanda, Brassed Off, Local Hero, The Full Monty, Four Lions and In the Loop. Contributors: Melanie Bell, Alan Burton, James Chapman, Richard Dacre, Ian Hunter, James Leggott, Sharon Lockyer, Andy Medhurst, Lawrence Napper, Tim O’Sullivan, Laraine Porter, Justin Smith, Sarah Street, Peter Waymark, Paul Wells

On Saturday 10 November 2012, the BBC Director General George Entwistle agreed to resign after just 54 days in the job. In order to secure his quick departure, the BBC Trust agreed to a pay-off that included 12 months' salary of £450,000, twice what he was contractually entitled to. The BBC Trust also agreed to give the former Director General 12 months' private medical cover and contribute to the cost of legal fees and public relations advice connected with his departure and his participation in the ongoing inquiries into Newsnight and Sir Jimmy Savile. The Comptroller and Auditor General offered to carry out an immediate and independent audit examination of the package, in time to inform the deliberations of this Committee but the BBC Trust refused to take that offer up. This inhibited Parliament's ability to hold the Trust to account for its use of public money and Entwistle's severance package could only be considered on the basis of information publicly available. Furthermore, since November 2010 the BBC has made severance payments to 10 other senior managers at a total cost of more than £4 million. These payments are excessive and completely out of keeping with public expectations about how their licence fee money is spent. It also emerged that 422 senior BBC managers received private medical cover worth £667,489 as part of their remuneration packages in 2012. The Comptroller and Auditor General has been asked to examine severance payments and benefits for senior managers as part of his future programme of work on the BBC