Based on nearly five decades of research, this magisterial work is a biographical register and analysis of the people who most directly influenced the course of the Civil War, its high commanders. Numbering 3,396, they include the presidents and their cabinet members, state governors, general officers of the Union and Confederate armies (regular, provisional, volunteers, and militia), and admirals and commodores of the two navies. Civil War High Commands will become a cornerstone reference work on these personalities and the meaning of their commands, and on the Civil War itself. Errors of fact and interpretation concerning the high commanders are legion in the Civil War literature, in reference works as well as in narrative accounts. The present work brings together for the first time in one volume the most reliable facts available, drawn from more than 1,000 sources and including the most recent research. The biographical entries include complete names, birthplaces, important relatives, education, vocations, publications, military grades, wartime assignments, wounds, captures, exchanges, paroles, honors, and place of death and interment. In addition to its main component, the biographies, the volume also includes a number of essays, tables, and synopses designed to clarify previously obscure matters such as the definition of grades and ranks; the difference between commissions in regular, provisional, volunteer, and militia services; the chronology of military laws and executive decisions before, during, and after the war; and the geographical breakdown of command structures. The book is illustrated with 84 new diagrams of all the insignias used throughout the war and with 129 portraits of the most important high commanders.

Since the shocking news first broke in 1876 of the Seventh Cavalry’s disastrous defeat at the Little Big Horn, fascination with the battle—and with Lieutenant George Armstrong Custer—has never ceased. Widespread interest in the subject has spawned a vast outpouring of literature, which only increases with time. This two-volume bibliography of Custer literature is the first to be published in some twenty-five years and the most complete ever assembled. Drawing on years of research, Michael O’Keefe has compiled entries for roughly 3,000 books and 7,000 articles and pamphlets. Covering both nonfiction and fiction (but not juvenile literature), the bibliography focuses on events beginning with Custer’s tenure at West Point during the 1850s and ending with the massacre at Wounded Knee in 1890. Included within this span are Custer’s experiences in the Civil War and in Texas, the 1873 Yellowstone and 1874 Black Hills expeditions, the Great Sioux War of 1876–77, and the Seventh Cavalry’s pursuit of the Nez Perces in 1877. The literature on Custer, the Battle of the Little Big Horn, and the Seventh Cavalry touches the entire American saga of exploration, conflict, and settlement in the West, including virtually all Plains Indian tribes, the frontier army, railroading, mining, and trading. Hence this bibliography will be a valuable resource for a broad audience of historians, librarians, collectors, and Custer enthusiasts.

Advance man, press agent, and publicist extraordinaire, John M. Burke (1842–1917) was instrumental in turning William F. Cody into the iconic persona of Buffalo Bill. And with this biography, published in 1893, Burke put the finishing touches on the legend that persists to this day. This new, definitive edition includes the full text and all the photographs and line drawings of Burke’s original, while providing critical background details on the literary sources, historical characters, and events that figure in the work. With “a few plain truths, unadorned,” Burke purported to give a frank account of Buffalo Bill’s life. Hostile Indians, gunfights, cattle stampedes: Cody’s Wild West was fraught with peril at every turn. This “Chevalier Bayard of American Bordermen” exemplified courage and daring while often narrowly escaping certain death and he earned the respect and admiration of not only his fellow frontiersmen but also European royalty. Burke recounts Cody’s duel with Chief Yellow Hand; his role as army scout, buffalo hunter, Pony Express rider, and international celebrity; and his associations with well-known figures like Kit Carson, Sitting Bull, General Phil Sheridan, and Queen Victoria. A brilliant instance of mythmaking by a true believer, Burke’s portrait of Buffalo Bill Cody as frontiersman and hero is a tribute to the romance of the Wild West and a canonical volume in the American story.