Who didn't enjoy the movie scene where Indiana Jones blasted a sword-wielding opponent with his six-shooter? If he's got a knife then just shoot him - right? Isn't that all there is to it? It always works (and looks) great in the movies, but what about in real life? What about the real-world officers both patrol and correctional as well as other operating professionals who really have been there and tried that and it didn't work? Why is the "21-foot Rule" such a critical factor and what can you do to beat the odds stacked against you? What if it really happened to you - how would you react? Sure, you may carry a gun, but are you truly prepared to beat a surprise edged weapon attack and walk away in one piece? What qualification drills can you run to test your skills? Join leading subject matter expert Steve Tarani as he guides you step-by-step through this easy-to-follow tutorial on how to defeat a "knife fight" with a firearm. Scope of study includes: Anatomy of a "Knife Fight", 28 real-world reasons why your gun may not be the first choice, utilizing the Two-second Rule, finding optimal Range and Position, defeating the Action-Reaction Power Curve, how to reduce Liability (personal injury) and Reactionary Gaps, utilizing the Second-hand Rule, shooting from Retention Position, transitions, critical on and off-range training drills, and most importantly - how to not fight but win with a gun.

Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.

Award-winning photographer Eugene Richards was asked by a magazine to report on what happens inside a typical emergency room. Once inside, he took photograps, talked with doctors and nurses and made friends with paramedics. He discovered a world he never knew existed. The Knife And Gun Club is the fascinating account of his exploration of emergency room medicine. Serial in LIFE magazine.

Definitive and compulsively readable¾an illustrated guide to the use in knifefighting and beyond of contemporary knives by long-time Blade columnist and master weaponsmith, Hank Reinhardt. Deadlier than the club, more ubiquitous than the sword, the knife is the universal edged weapon of all humankind. As our society has grown more advanced, and more reliant on technology, there has been an increased interest in the weapons of the past, and this sharp-edged guide to the use of the knife will whet the appetite of expert and layman alike. At the publisher's request, this title is sold without DRM (Digital Rights Management).

From the Donner party to the sinking of the RMS "Titanic," this little book shows that some people's faux pas are worse--way, way worse--than others.

"Based on the Israeli Combat System (ICS), this book is a training guide for law enforcement officers. It appeals to a wide audience, including police staff, martial arts practitioners, defensive tactics trainers, and fitness professionals. Experts in police training, the authors describe the shortcomings in most defensive tactics and fitness programs and offer a new perspective on how to train police for job-related dangerous tasks. The book contains step-by-step training drills to maximize training realism and results. Over 200 high-quality black-and-white photographs provide the reader with a complete understanding of the delineated techniques described in the work"--

From the Academy Award-nominated screenwriter and playwright: an exhilaratingly subversive inside look at Hollywood from a filmmaker who’s always played by his own rules. Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Why are there so many producers listed in movie credits? And what on earth do those producers do anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and refreshingly forthright answers to these and other questions about every aspect of filmmaking from concept to script to screen. A bracing, no-holds-barred examination of the strange contradictions of Tinseltown, Bambi vs. Godzilla dissects the movies with Mamet’s signature style and wit.