In these incendiary essays, George Monbiot tears apart the fictions of religious conservatives, the claims of those who deny global warming and the lies of the governments and newspapers that led us into war. He takes no prisoners, exposing government corruption in devastating detail while clashing with people as diverse as Bob Geldof, Ann Widdecombe and David Bellamy. But alongside his investigative journalism, Monbiot's book contains some remarkable essays about what it means to be human. Monbiot explores the politics behind Constable's The Cornfield, shows how driving cars has changed the way we think and argues that eternal death is a happier prospect than eternal life.

A new fusillade of provocative thinking from the author of the bestselling Heat. With Heat, George Monbiot confirmed his standing as one of the most important voices in the war against global warming. But as Bring on the Apocalypse makes clear, Monbiot is far from being a one-issue thinker. In this collection of his journalism, none of which has been published in Canada before, he tackles a wide range of issues drawn from recent headlines, and does so with his familiar fierce intelligence and superb skills as a writer. Grouped by theme into “Arguments with” science, political power, war, religion, economics, and culture, these pieces crackle with intellectual energy and frequently give off sparks of fury. Always, though, their power is rooted in profound knowledge, a solid set of principles, and palpable sincerity. The Globe and Mail said of Heat that it “contains more intellectual challenges by the page than the Canadian media does in a year.” For Bring on the Apocalypse, with its concise, intense broadsides against everything from climate change deniers, to the fundamentalist “Christian Taliban,” to the evils of teen magazines, and what continued interest in the Loch Ness monster says about our attitude to real ones, make that “by the paragraph.”

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

Publishers Weekly Top 10 Best of the Year In her new collection, Story Prize finalist Maureen F. McHugh delves into the dark heart of contemporary life and life five minutes from now and how easy it is to mix up one with the other. Her stories are post-bird flu, in the middle of medical trials, wondering if our computers are smarter than us, wondering when our jobs are going to be outsourced overseas, wondering if we are who we say we are, and not sure what we'd do to survive the coming zombie plague. Praise for Maureen F. McHugh: "Gorgeously crafted stories."—Nancy Pearl, NPR "Hauntingly beautiful."—Booklist "Unpredictable and poetic work."—The Plain Dealer Maureen F. McHugh has lived in New York; Shijiazhuang, China; Ohio; Austin, Texas; and now lives in Los Angeles, California. She is the author of a Story Prize finalist collection, Mothers & Other Monsters, and four novels, including Tiptree Award-winner China Mountain Zhang and New York Times editor's choice Nekropolis. McHugh has also worked on alternate reality games for Halo 2, The Watchmen, and Nine Inch Nails, among others.

Survival is a luxury in the post-apocalyptic world Alex Keener knows. At sixteen, he leaves the confines of Bunker 108, escaping a deadly viral outbreak. But freedom means facing the brutal aftermath of the meteor Ragnarok, which devastated Earth thirty years ago. With every breath a battle for survival, Alex navigates through a barren world, haunted by monstrous remnants of the past. Discover the thrilling journey of Alex in this young adult sci-fi survival novel. Venture through a ravaged world where the past is obliterated, and survival is the only law. Perfect for fans of intense, post-apocalyptic tales and survivalist narratives. Delve into a landscape where the fight for existence eclipses all else. Ideal for readers searching for YA dystopian books, teen survival stories, post-meteor apocalypse narratives, or thrilling science fiction adventures.

This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations.

In this humorous look at today's culture's ongoing love affair with the "End Times," the author provides a handful of anecdotes, acknowledgments of the phenomenon in pop culture and insights that precede each chapter.