Formerly known by its subtitle "Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete", the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950's. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts - which may be in English, German, or French - are arranged thematically under headings such as e.g. "Genesis", "Matthew", "Greek language", "text and textual criticism", "exegetical methods and approaches", "biblical theology", "social and religious institutions", "biblical personalities", "history of Israel and early Judaism", and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.

Fifteen volumes (Antiquity, 1-15) are devoted to Greco-Roman antiquity and cover more than two thousand years of history, ranging from the second millennium BC to early medieval Europe. Five volumes (Classical Tradition, I-V) are uniquely concerned with the long and influential aftermath of antiquity and the process of continuous reinterpretation and revaluation of the ancient heritage, including the history of classical scholarship.

"Brill's New Pauly is the English edition of the authoritative Der Neue Pauly, published by Verlag J. B. Metzler since 1996. The encyclopaedic coverage and high academic standard of the work, the interdisciplinary and contemporary approach and clear and accessible presentation have made the New Pauly the unrivalled modern reference work for the ancient world. Fifteen volumes ("Antiquity, 1-15") of Brill's New Pauly are devoted to Greco-Roman antiquity and cover more than two thousand years of history, ranging from the second millennium BC to early medieval Europe. Special emphasis is given to the interaction between Greco-Roman culture on the one hand, and Semitic, Celtic, Germanic, and Slavonic culture, and ancient Judaism, Christianity, and Islam on the other hand. Five volumes ("Classical Tradition, I-V") are uniquely concerned with the long and influential aftermath of antiquity and the process of continuous reinterpretation and revaluation of the ancient heritage, including the history of classical scholarship. Brill's New Pauly presents the current state of traditional and new areas of research and brings together specialist knowledge from leading scholars from all over the world. Many entries are elucidated with maps and illustrations and the English edition will include updated bibliographic references." --Book Jacket.

"Brill's New Pauly is the English edition of the authoritative Der Neue Pauly, published by Verlag J. B. Metzler since 1996. The encyclopaedic coverage and high academic standard of the work, the interdisciplinary and contemporary approach and clear and accessible presentation have made the New Pauly the unrivalled modern reference work for the ancient world. Fifteen volumes ("Antiquity, 1-15") of Brill's New Pauly are devoted to Greco-Roman antiquity and cover more than two thousand years of history, ranging from the second millennium BC to early medieval Europe. Special emphasis is given to the interaction between Greco-Roman culture on the one hand, and Semitic, Celtic, Germanic, and Slavonic culture, and ancient Judaism, Christianity, and Islam on the other hand. Five volumes ("Classical Tradition, I-V") are uniquely concerned with the long and influential aftermath of antiquity and the process of continuous reinterpretation and revaluation of the ancient heritage, including the history of classical scholarship. Brill's New Pauly presents the current state of traditional and new areas of research and brings together specialist knowledge from leading scholars from all over the world. Many entries are elucidated with maps and illustrations and the English edition will include updated bibliographic references." --Book Jacket.

Coins of the best-known Roman revolutionary era allow rival pretenders to speak to us directly. After the deaths of Caesar and Cicero (in 44 and 43 BC) hardly one word has been reliably transmitted to us from even the two most powerful opponents of Octavian: Mark Antony and Sextus Pompeius - except through coinage and the occasional inscription. The coins are an antidote to a widespread fault in modern approaches: the idea, from hindsight, that the Roman Republic was doomed, that the rise of Octavian-Augustus to monarchy was inevitable, and that contemporaries might have sensed as much. Ancient works in other genres skilfully encouraged such hindsight. Augustus in the Res Gestae, and Virgil in Georgics and Aeneid, sought to flatten the history of the period, and largely to efface Octavian's defeated rivals. But the latter's coins in precious metal were not easily recovered and suppressed by Authority. They remain for scholars to revalue. In our own age, when public untruthfulness about history is increasingly accepted - or challenged, we may value anew the discipline of searching for other, ancient, voices which ruling discourse has not quite managed to silence. In this book eleven new essays explore the coinage of Rome's competing dynasts. Julius Caesar's coins, and those of his `son' Octavian-Augustus, are studied. But similar and respectful attention is given to the issues of their opponents: Cato the Younger and Q. Metellus Scipio, Mark Antony and Sextus Pompeius, Q. Cornificius and others. A shared aim is to understand mentalities, the forecasts current, in an age of rare insecurity as the superpower of the Mediterranean faced, and slowly recovered from, division and ruin.

A seminal figure in late antique Christianity and Christian orthodoxy, Saint Gregory of Nazianzus published a collection of more than 240 letters. Whereas these letters have often been cast aside as readers turn to his theological orations or autobiographical poetry for insight into his life, thought, and times, Self-Portrait in Three Colors focuses squarely on them, building a provocative case that the finalized collection constitutes not an epistolary archive but an autobiography in epistolary form—a single text composed to secure his status among provincial contemporaries and later generations. Shedding light on late-ancient letter writing, fourth-century Christian intelligentsia, Christianity and classical culture, and the Christianization of Roman society, these letters offer a fascinating and unique view of Gregory’s life, engagement with literary culture, and leadership in the church. As a single unit, this autobiographical epistolary collection proved a powerful tool in Gregory’s attempts to govern the contours of his authorial image as well as his provincial and ecclesiastical legacy.