The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.

Push Color Beyond the Ordinary Let go of what you see, and paint what you feel! Brilliant Color reveals a new way of thinking about color, empowering you to push the envelope beyond ordinary realism into bold landscapes full of life and energy. The transformation begins by learning to see color as value. Starting with short demos featuring diagrams, color wheels and side-by-side visual comparisons, award-winning artist Julie Gilbert Pollard shows you how to liberate your use of color to capture the lively essence of every landscape. It's not about complex color theory or painstaking attempts to paint exactly what you see. Rather, it's about pushing color to warmer or cooler extremes for stronger contrasts. Julie's signature style blends acrylic underpainting with water-mixable oils to produce striking luminosity in less time and fewer layers than traditional oil painting techniques. Ten complete step-by-step demonstrations show you how to paint gorgeous landscapes with an inspiring range of settings and seasons. Each in-depth demonstration features foolproof color mixing charts, reference photos, initial sketches, and numbered steps with detailed captions. Simply follow along and give it a try. In no time, you'll have what it takes to make your colors zing and your paintings glow.

When a retired wizard is summoned to brighten up the dreary kingdom of Gray, he finds a very colorful solution. Holes in the pages highlight various colors and give clues about what is going to happen next.

From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums. Finalist for the 2002 National Book Critics Circle Award.

Make Sound Color Choices Now in an updated Fourth Edition, Understanding Color helps you connect the dots between your emotional, intuitive responses to color and the theories that explain them. From this authoritative and easy-to-follow resource, you'll learn how to use color more comfortably, creatively, and effectively than ever before. Take your work to the next level by exploring how different light sources affect color rendition, how placement changes color, how to avoid costly color mistakes, and how to resolve the color problems that frequently confront design professionals. This edition is full of powerful new features that reflect the latest issues in color and design, including: Expanded and revised content in nearly 35% of the book. Coverage of a broad range of design disciplines. Ideas from the major color theorists that reinforce content, rather than emphasizing what is correct or incorrect. Discussion of color created by traditional media and digital design, and the issues that arise when design moves from one medium to another. Innovative coverage of color marketing issues. Helpful tips for using color in the working environment. An online workbook with valuable exercises that reinforce color concepts. Understanding Color, Fourth Edition is an unparalleled source of authoritative information and practical solutions for students and professionals in all fields of design.

From the moment that the attack on the "problem of the color line," as W.E.B. DuBois famously characterized the problem of the twentieth century, began to gather momentum nationally during World War II, California demonstrated that the problem was one of color lines. In The Color of America Has Changed, Mark Brilliant examines California's history to illustrate how the civil rights era was a truly nationwide and multiracial phenomenon-one that was shaped and complicated by the presence of not only blacks and whites, but also Mexican Americans, Japanese Americans, and Chinese Americans, among others. Focusing on a wide range of legal and legislative initiatives pursued by a diverse group of reformers, Brilliant analyzes the cases that dismantled the state's multiracial system of legalized segregation in the 1940s and subsequent battles over fair employment practices, old-age pensions for long-term resident non-citizens, fair housing, agricultural labor, school desegregation, and bilingual education. He concludes with the conundrum created by the multiracial affirmative action program at issue in the United States Supreme Court's 1978 Regents of the University of California v. Bakke decision. The Golden State's status as a civil rights vanguard for the nation owes in part to the numerous civil rights precedents set there and to the disparate challenges of civil rights reform in multiracial places. While civil rights historians have long set their sights on the South and recently have turned their attention to the North, advancing a "long civil rights movement" interpretation, Mark Brilliant calls for a new understanding of civil rights history that more fully reflects the racial diversity of America.