Bright Fields is a comprehensive and deeply intimate exploration of the life and work of Mississippi-born artist Marie Hull (1890–1980). Her paintings reflect a nine-decade journey of search, thought, and growth. She produced some of the most memorable and iconic works ever created by a southern artist. This elegant and exquisitely detailed book contains over two hundred newly photographed reproductions of the artist's finest works, many never before seen by the public. Hull was born in a small town near Jackson at a time when women were not allowed to vote and were denied many career opportunities. This did not deter Hull from a constant “search for quality” both in her life and in her art. She studied with some of the most important artists of her day, including William Merritt Chase, in Philadelphia, New York, and Europe. She won major national competitions and awards and was exhibited in some of the world's most prestigious art exhibitions and shows in the United States, Europe, and East Asia. During the Depression, Hull created a series of paintings depicting African Americans and local sharecroppers that is considered one of the most significant contributions to regionalist art in the country's history. These important, deeply moving works place her among the forefront of the great American portraitists. Three decades later, in her seventies, Hull would reveal her remarkable ability to evolve again, this time into one of the most significant abstract painters of the South. In her powerful, brilliantly colorful late works, she combines her mastery of landscape painting with a unique, persuasive synthesis of ideas from such artists as Mark Rothko, Willem de Kooning, and Hans Hofmann. Today, Hull's works are exhibited in museums and prestigious private collections throughout the country. Bright Fields expands our knowledge of the painter's remarkable life and work, illustrating why Hull's unique vision and tremendous creativity had, and continues to have, such a profound impact on art in the South and beyond.

A deluxe and dazzling biography of the great Mississippi artist

An inspiring story that shows we all have a lion inside of us! "That day they BOTH learnedThat, no matter your size,We all have a mouseAND a lion inside."A mouse feels small and insecure and determines that what he needs to do is learn how to roar like a lion. He knows he has to act brave when he approaches a lion to learn how. In a hilarious turn of events, the lion is afraid of mice! The mouse comforts the lion, they become friends, and we learn that there's a lion and a mouse inside all of us.The inspiring text by Rachel Bright and the fun, bold illustrations by Jim Field teach young readers an important lesson. Regardless of how big or mighty we are, we can all live our dreams and do what we want to do. Fans of Aesop's "The Lion and the Mouse" will enjoy The Lion Inside!

This book constitutes revised selected papers from the 18th Brazilian Symposium on Formal Methods, SBMF 2015, which took place in Belo Horizonte, Brazil, in September 2015. The 11 papers presented in this volume were carefully reviewed and selected from 25 submissions. They were organized in topical sections named: model checking; languages and semantics; refinement and verification; testing and evaluation.

This volume on Visual Psychophysics documents the current status of research aimed toward understanding the intricacies of the visual mechanism and its laws of operation in intact human perceivers. As can be seen from the list of contributors, the problems of vision engage the interest and experimental ingenuity of investi gators from a variety of disciplines. Thus we find authors affiliated with depart ments of biology, medical and physiological physics, ophthalmology, physics, physiology and anatomy, psychology, laboratories of neurophysiology, medical clinics, schools of optometry, visual and othcr types of research institutes. A continuing interplay between psychophysical studies and physiological work is everywhere evident. As more information about the physiological basis of vision accumulates, and new studies and analyses of receptor photochemistry and the neurophysiology of retina and brain appear, psychophysical studies of the intact organism become more sharply focused, sometimes more complex, and often more specialized. Technological advances have increased the variety and precision of the stimulus controls, and advances in measurement techniques have reopened old problems and stimulated the investigation of new ones. In some cases, new concepts are being drawn in to help further our under standing of the laws by which the visual mechanism operates; in other cases, ideas enunciated long ago have been reevaluated, developed more fully, and reified in terms of converging evidence from both psychophysical experiments and unit recordings from visual cells.