A haunting debut novel that explores the fraught journey toward adulthood, the nature of memory, and the startling limits to which we are driven by grief. Facing the prospect of fatherhood, disillusioned by his fledgling teaching career, and mourning the loss of a former relationship, Francis Mason is a prisoner of his past mistakes. When his second-grade class discovers a dead body during a field trip to a San Francisco beach, Francis spirals into unbearable grief and all-consuming paranoia. As his behavior grows increasingly erratic, and tensions arise with the school principal and the parents of his students, he faces the familiar urge to flee—a choice that forces him to confront the character weaknesses that have shattered his life again and again, and to accept the wrenching truth about the past he's never been able to move beyond. A haunting debut novel, Bright Before Us explores the fraught journey toward adulthood, the nature of memory, and the startling limits to which we are driven by grief.

Facing the prospect of fatherhood, disillusioned by his fledgling teaching career, and mourning the loss of a fraught former relationship, 25-year-old Francis Mason is a prisoner of his past mistakes. But when his second-grade class discovers a dead body during a field trip to a San Francisco beach, Francis spirals into unbearable grief and all-consuming paranoia. As his behavior grows increasingly erratic, and tensions arise with the school principal and the parents of his students, he faces the familiar urge to flee — a choice that forces him to confront the character weaknesses that have shattered his life again and again — and to accept the wrenching truth about the past he’s never been able to move beyond.

BONUS: This edition contains an excerpt from Sandra Kring's A Life of Bright Ideas. Wisconsin, 1961. Evelyn “Button” Peters is nine the summer Winnalee and her fiery-spirited older sister, Freeda, blow into her small town–and from the moment she sees them, Button knows this will be a summer unlike any other. Much to her mother’s dismay, Button is fascinated by the Malone sisters, especially Winnalee, a feisty scrap of a thing who carries around a shiny silver urn containing her mother’s ashes and a tome she calls “The Book of Bright Ideas.” It is here, Winnalee tells Button, that she records everything she learns: her answers to the mysteries of life. But sometimes those mysteries conceal a truth better left buried. And when a devastating secret is suddenly revealed, dividing loyalties and uprooting lives, no one–from Winnalee and her sister to Button and her family–will ever be the same.

A secret tore best friends Evelyn “Button” Peters and Winnalee Malone apart. Now, nearly a decade later, a secret brings them back together. Nine years ago Button and Winnalee began recording observations in their Book of Bright Ideas, a tome they believed would solve the mystery of how to live a mistake-free life. Now it’s 1970, a time of peace, love, war, and personal heartbreak. Button’s mother is dead and her grieving father has all but abandoned his children. Quiet, thoughtful Button has traded college for a sewing job in her mother’s bridal shop to help her Aunt Verdella raise her whirlwind six-year-old brother. In Button’s free time, she writes letters to the boy she loved from afar through high school, hoping he will come to love her as more than a friend. Then, like that magical Wisconsin summer of ’61, Button is greeted with the wild, gusty arrival of Winnalee. Now a beautiful flower child, Winnalee is everything Button is not. She’s been to Woodstock and enjoys “free love,” but their steadfast bond of friendship is tested as Button begins to notice the cracks in Winnalee’s carefree façade. And then Winnalee’s mother arrives with a surprise that Button never sees coming, and the fiery determination to put things right in both families once and for all.

One of the most acclaimed books of our time—the definitive Vietnam War exposé and the winner of the Pulitzer Prize and the National Book Award. When he came to Vietnam in 1962, Lieutenant Colonel John Paul Vann was the one clear-sighted participant in an enterprise riddled with arrogance and self-deception, a charismatic soldier who put his life and career on the line in an attempt to convince his superiors that the war should be fought another way. By the time he died in 1972, Vann had embraced the follies he once decried. He died believing that the war had been won. In this magisterial book, a monument of history and biography that was awarded the National Book Award and the Pulitzer Prize for Nonfiction, a renowned journalist tells the story of John Vann—"the one irreplaceable American in Vietnam"—and of the tragedy that destroyed a country and squandered so much of America's young manhood and resources.

America's most original and controversial literary critic writes trenchantly about forty-eight masterworks spanning the Western tradition—from Don Quixote to Wuthering Heights to Invisible Man—in his first book devoted exclusively to narrative fiction. In this valedictory volume, Yale professor Harold Bloom—who for more than half a century was regarded as America's most daringly original and controversial literary critic—gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on forty-eight essential works spanning the Western canon, from Don Quixote to Book of Numbers; from Wuthering Heights to Absalom, Absalom!; from Les Misérables to Blood Meridian; from Vanity Fair to Invisible Man. Here are trenchant appreciations of fiction by, among many others, Austen, Balzac, Dickens, Tolstoy, James, Conrad, Lawrence, Le Guin, and Sebald. Whether you have already read these books, plan to, or simply care about the importance and power of fiction, Harold Bloom is your unparalleled guide to understanding literature with new intimacy.

The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.