" ... accompanies the exhibition of the same name organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague. The exhibition is on view from February 26 through June 19, 2011; and travels to the Fine Arts Museums of San Francisco, July 9 through October 2, 2011, and the Museum of Fine Arts, Houston, November 13, 2011 through February 12, 2012"--T.p. verso.

This in depth look at one of the world's most storied private art collections celebrates five centuries of grand artistic patronage. The Princely Collections, Liechtenstein gained momentum during the early 17th century when Prince Karl I commissioned several works, including Adriaen de Fries's life-sized bronze of Christ in Distress. From that point on, the artistic holdings of the principality grew and were shaped by each successive monarch. Over the centuries, the collections expanded to include works by masters such as da Vinci, Botticelli, Rembrandt, Rubens, and van Dyck. They now comprise some 1,500 paintings and sculptures, dating from the early Renaissance to the 19th century. The collections also contain important works of graphic art, porcelain, tapestries, and furniture that once adorned the Liechtenstein castles and palaces. This sumptuously illustrated volume explores the historical evolution of the Princely Collections, tracing the works' acquisition as well as their occasional sale and relocation to museums around the world. Nearly one hundred of the collections' current and former highlights by approximately 60 artists are presented in this book, which allows readers to fully appreciate the breadth and depth of these storied private collections. Published with the American Federation of Arts

These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.

Winner of the Third Neu-Whitrow Prize (2021) granted by the Commission on Bibliography and Documentation of IUHPS-DHST Additional background information This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.

Wilhelm Abel's study of economic fluctuations over a period of seven hundred years has long been established as a core text in European agricultural history. Professor Abel was one of the first economic historians to make extensive use of statistical data, and his scholarship and approach have had a decisive effect on the orientation of economic and agricultural history. Using data on population, wages and rents from England, France, Germany and the Low Countries, and, on occasion, from Italy, Scandinavia and Poland, here Professor Abel demonstrates the striking similarity in the overall economic development for all these areas. He also analyses, the short-term fluctuations that have affected agricultural development within this economic framework, and is able to show the broad significance of the shape of the late medieval depression, the scale of the desertions of villages that accompanies it, and the implications of the sixteenth century price revolution. The book's importance lies in tracing the long-term trends that have characterized European economic development since the High Middle Ages, and as such it has made an invaluable contribution to all comparative analyses of different Western European countries since it was first published in 1980.

The Principality of Liechtenstein in the heart of Europe is famous for its medieval castles and charming Alpine landscapes and villages. On the occasion of its 300th anniversary, the Albertina in Vienna is hosting a comprehensive exhibition. The works presented here illustrate the remarkable spectrum of Liechtenstein's collection policy. The unique holdings of the Princely Collections are thus presented for the first time in such detail in this two-volume publication.

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