Knjiga vsebuje šest poglavij, ki z različnih vidikov predstavljajo dosežke evropskih ustvarjalk – pionirk na področju arhitekture, gradbeništva, notranjega in industrijskega oblikovanja ter umetne obrti, ki so ustvarjale v obdobju od 1918 do 1945. Poglavje Crossing Geographies obravnava pomen migrantk in migracij za globalno širjenje modernizma in pojava avantgardnih umetnostnih gibanj; Pioneers and Organisations predstavlja nekatere pionirke in njihovo vključevanje v stanovske organizacije; The Home govori o položaju žensk med obema vojnama in načinih, kako so skušale preseči družbene omejitve preko notranjega oblikovanja; Representation je posvečen zastopanosti in obravnavi ustvarjalk v publicistiki; Cases from Ireland to Finland prinaša primere uveljavitve ustvarjalk v izrazito moških poklicih; Examining Drawings as Practices of Architectural Design pa z novimi metodološkimi pristopi prinaša vpogled v arhitekturne projekte žensk. Osnova knjige so prispevki, predstavljeni na prvi mednarodni MoMoWo konferenci septembra 2015 na Univerzi v Leidnu, njen namen pa je strokovni in širši javnosti predstaviti pomemben del »anonimne« in zamolčane evropske kulturne dediščine.

For review see: J. van Goor, in: Bijdragen en mededelingen betreffende de geschiedenis der Nederlanden, jrg. 110, afl. 1 (1995); p. 137-140.

" ... accompanies the exhibition of the same name organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague. The exhibition is on view from February 26 through June 19, 2011; and travels to the Fine Arts Museums of San Francisco, July 9 through October 2, 2011, and the Museum of Fine Arts, Houston, November 13, 2011 through February 12, 2012"--T.p. verso.

This in depth look at one of the world's most storied private art collections celebrates five centuries of grand artistic patronage. The Princely Collections, Liechtenstein gained momentum during the early 17th century when Prince Karl I commissioned several works, including Adriaen de Fries's life-sized bronze of Christ in Distress. From that point on, the artistic holdings of the principality grew and were shaped by each successive monarch. Over the centuries, the collections expanded to include works by masters such as da Vinci, Botticelli, Rembrandt, Rubens, and van Dyck. They now comprise some 1,500 paintings and sculptures, dating from the early Renaissance to the 19th century. The collections also contain important works of graphic art, porcelain, tapestries, and furniture that once adorned the Liechtenstein castles and palaces. This sumptuously illustrated volume explores the historical evolution of the Princely Collections, tracing the works' acquisition as well as their occasional sale and relocation to museums around the world. Nearly one hundred of the collections' current and former highlights by approximately 60 artists are presented in this book, which allows readers to fully appreciate the breadth and depth of these storied private collections. Published with the American Federation of Arts

The Principality of Liechtenstein in the heart of Europe is famous for its medieval castles and charming Alpine landscapes and villages. On the occasion of its 300th anniversary, the Albertina in Vienna is hosting a comprehensive exhibition. The works presented here illustrate the remarkable spectrum of Liechtenstein's collection policy. The unique holdings of the Princely Collections are thus presented for the first time in such detail in this two-volume publication.