These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.

The study of language is the study of civilization-- to discover man's cultural antecedents and to understand the meaning of his intellectual heritage we must look to the origins of human language buried in the mists of historical antiquity. The present work has long been a celebrated classic in the field of linguistics: it reveals not only the genesis of man's great languages and their interrelation, but tells as well of the development of linguistic science itself, of the discoveries of its pioneers and great masters, particularly during the last century. In addition, a concise summary of the methods employed in linguistics is provided -- Provided by publisher.

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