An exciting study of the social and landscape phenomena of the Estate Landscape. In recent years, the post-medieval landscape has attracted new interest from archaeologists, historians, and geographers concerned to understand the development of the historic environment. One of the key structuring elements within these landscapes from the sixteenth century until the aftermath of the Second World War was undoubtedly the landed estate. However, it was not until the late nineteenth century that any systematic attempt to quantify the presence of these estates was undertaken, prompted by the move to democratic reform and the persistent link between political power and landed wealth. Yet the importance of the landed estate in structuring power, social relationships, and both agricultural and industrial production was not limited to the UK. From the eighteenth century, the link between the UK estates and patterns of landholding and exploitation in the colonies became increasingly complex and recursive. This volume explores the relationships between the form and structure of British and Colonial estate landscapes, their agricultural management and the political structures and social relationships they reproduced. The articles address themes as diverse as the creation and development of the agrarian landscape, improvement, ornamental landscapes and gardens and estate architecture. Overall, it highlights the wealth and diversity of existing scholarship and suggests new directions for post-medieval archaeology in this dynamic area of research.

The knowledge of papermaking spread slowly over Italy from the start of the thirteenth century. Scholarly interest in the history of Italian paper manufacture has concentrated especially on the earliest period. Research into paper from the seventeenth, eighteenth, and nineteenth centuries has lagged somewhat behind. Watermarks are extremely important for investigating the origins of paper. This book offers high quality x-rays and descriptions of ca. three hundred Italian watermarks. A selection of paper produced in different areas of Italy is presented with an identification.

The complete etchings, lithographs, and woodcuts of Camille Corot, Jean-François Millet, Eugène Boudin, Johan Barthold Jongkind, Théodore Rousseau, Charles-François Daubigny, and Jules Dupré.

This book is an investigation of youth and adolescence in pre-industrial England. It concentrates on young people from the middle or lower groups of society, who, between 1500 and 1800, left home to work as apprentices, agricultural labourers or in domestic service. Drawing on municipal, ecclesiastical and parish records, and over 70 autobiographies, Ben-Amos focusses on aspects of youth as they related to maturation: the separation of adolescents from their parents; their working lives and relationships with their employers or masters and mistresses; the relative independence and autonomy exercised by younger women; the role of the young in religious affairs; and the question of whether there was such as thing as a youth subculture.