Brief Chronicles is a peer-reviewed interdisciplinary academic journal dedicated to examining the Shakespeare authorship question and more generally topics in early modern authorship studies. Sponsored by the Shakespeare Oxford Fellowship, Brief Chronicles was established in 2009 and is included in the MLA International Bibliography and World Shakespeare Bibliography databases.General Editor: Roger A. Stritmatter, Ph.D., Coppin State UniversityManaging Editor: Michael Delahoyde, Ph.D., Washington State UniversityVolume 6 of Brief Chronicles features the following authors and topics:Articles* From the Pulpit: A Few Home Truths - A British Introduction, Alexander Waugh* Sisyphus and the Globe: Turning (on) the Media, Don Rubin* Biography, Genius, and Inspiration, Bernd Brackmann* Strat Stats Fail to Prove that 'Shakspere' is Another Spelling of 'Shakespeare,' Richard F. Whalen* Arms and Letters and the Name "William Shake-speare," Robert Detobel* The Use of State Power To Hide Edward de Vere's Authorship of the Works Attributed to "William Shake-speare," James Warren* Chaucer Lost and Found in Shakespeare's Histories, Jacob Hughes* A Midsummer Night's Dream: Shakespeare's Aristophanic Comedy, Earl Showerman* Mark Twain and "Shake-Speare": Soul Mates, James Norwood* Ben Jonson and the Drummond "Informations": Why It Matters, Richard MalimReviews* Was William Scott a Plagiarist? A Review of Scott's The Model of Poesie, reviewed by Richard Waugaman* Dr. Magri's Bow and Quiver: Such Fruits Out of Italy: The Italian Renaissance in Shakespeare's Plays and Poems, reviewed by William Ray* Towards a Pragmatechnic Shakespeare Studies: A Review-Essay on U. Cambridge's Shakespeare and the Digital World, reviewed by Michael Dudley

Consists of 97 commentaries, written from 1962-1965 as critic for the New York Times.

Cometh the Hour is the penultimate book in the Clifton Chronicles and, like the previous novels - all of which hit the New York Times bestseller list - showcases Jeffrey Archer's extraordinary storytelling with his trademark twists. It opens with the reading of a suicide note, which has devastating consequences for Harry and Emma Clifton, Giles Barrington and Lady Virginia. Giles must decide if he should withdraw from politics and try to rescue Karin, the woman he loves, from behind the Iron Curtain. But is Karin truly in love with him, or is she a spy? Lady Virginia is facing bankruptcy, and can see no way out of her financial problems, until she is introduced to the hapless Cyrus T. Grant III from Baton Rouge, Louisiana, who's in England to see his horse run at Royal Ascot. Sebastian Clifton is now the Chief Executive of Farthings Bank and a workaholic, whose personal life is thrown into disarray when he falls for Priya, a beautiful Indian girl. But her parents have already chosen the man she is going to marry. Meanwhile, Sebastian's rivals Adrian Sloane and Desmond Mellor are still plotting to bring him and his chairman Hakim Bishara down, so they can take over Farthings. Harry Clifton remains determined to get Anatoly Babakov released from a gulag in Siberia, following the international success of his acclaimed book, Uncle Joe. But then something unexpected happens that none of them could have anticipated.

Mystery stories by the Diamond Dagger–winning author, “one of the masters of the modern police procedural” (The Sunday Telegraph). A man whose wife has been missing for a year gets some strange phone calls—as well as a visit from Detective Inspector Pascoe—in a novella that pays homage to Edgar Allan Poe. A female journalist faces skepticism from the police when she reports an assault, and finds she may have to confront the attacker herself. A family man wonders what sort of trouble the previous occupants of his new house were mixed up in—and finds some clues that were left behind in the move. These stories—and four more—from the author of the series starring Inspector Peter Pascoe and Superintendent Andrew Dalziel take us on a tour of the shadowy corners of Yorkshire, England, from a stormy churchyard to a gloomy attic, with tales of lust, greed, envy, and, of course, murder. “One of Britain’s most consistently excellent crime novelists.” —The Times (London) “Hill is never predictable.” —Milwaukee Journal Sentinel “Reginald Hill is quite simply one of the best at work today.” —The Boston Globe