Bridget becomes lost in the woods and summons her courage to take charge of a pack of gray wolves.

This annotated bibliography-organized geographically by world region and country, describing nearly 700 books representing 73 countries-is a valuable resource for librarians, teachers, and anyone else seeking to promote international understanding through children's literature. It is the third volume sponsored by the United States Board on Books for Young People. The first, Carl M. Tomlinson's Children's Books from Other Countries (1998) is a compendium of international children's literature with annotations of both in and out of print books published between 1950 and 1996. Susan Stan's The World Through Children's Books (2002) was the second and it included books published between the years 1997 and 2000. Crossing Boundaries includes international children's books published between 2000 and 2004, as well as selected American books set in countries other than the United States. Editor Doris Gebel has compiled an important tool for providing stories that will help children understand our differences while simultaneously demonstrating our common humanity.

A young girl wanders away from the hotel pool while on vacation and meets five offbeat sheep that feed on "lemon soda, cookies and old Band-Aids."

Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.

Jennifer Adams, best friend to Jacque Pierce and Sally Morgan, spicy, out spoken, a little crazy and human...or so she thought. Jen has just found out that human DNA is not the only thing that resides in her veins, she happens to share that little pesky werewolf gene, although it isn't more than just a drop. Now that she and her friends are living in Romania with Fane's pack, she is also oh so conveniently stuck with the object of her affection, the fur ball Decebel. Drawn to each other by something they don't understand Jen finds herself frustrated by the lack of mating signs between her and said fur ball. Not only is she dealing with that not so un-frustrating problem, she now has been informed that because of that little drop of werewolf blood in her she is now required to attended a multi-pack gathering for un-mated wolves. This type of gathering hasn't taken place in over a century but with a shortage of females among the werewolf population the males are getting worried they won't ever find their true mates. Meanwhile, Decebel struggles with the emotions he is feeling towards Jen. He tries to keep his distance but there is just something about the mouthy blonde that keeps him coming back for more of her verbal abuse that he just can't seem to get enough of...go figure.

This study questions the widely held perception that books, as an artistic medium, are superior to and more respectable than film or television, sometimes considered frivolous and pernicious. Criticism of both the big and small screens often obscures their signal accomplishments and the entertainment and insight they provide. The author analyzes our distaste for these media--and the romanticizing of the printed word that accompanies it--and argues that books and films are in fact quite complementary. A broad survey of film and TV offerings explores what enacted narratives have taught us about the nature of childhood.