As a left winger for the Philadelphia Flyers, Brian Propp was constantly in motion, racking up goals and assists and amassing over one thousand points during 15 NHL seasons. In retirement, he scarely slowed down, chasing opportunities in business, broadcasting, and leadership. But his life was changed forever on September 3, 2015, when he suffered a massive brain stroke. The life-threatening event temporarily took away Propp's ability to speak and walk. It required several years of dedicated rehabilitation just to return to normal life. In Angel On My Wing, Propp shares the full story of his personal journey on the ice and beyond— one of triumph, heartbreak, then determination. Today, he provides hope and motivation for other stroke victims. This candid chronicle of rebirth through hard work, discipline, patience, and faith will resonate among hockey fans and throughout the recovery community.

As a left winger for the Philadelphia Flyers, Brian Propp was constantly in motion, racking up goals and assists and amassing over one thousand points during 15 NHL seasons. In retirement, he scarely slowed down, chasing opportunities in business, broadcasting, and leadership. But his life was changed forever on September 3, 2015, when he suffered a massive brain stroke. The life-threatening event temporarily took away Propp's ability to speak and walk. It required several years of dedicated rehabilitation just to return to normal life. In Angel On My Wing, Propp shares the full story of his personal journey on the ice and beyond--one of triumph, heartbreak, then determination. Today, he provides hope and motivation for other stroke victims. This candid chronicle of rebirth through hard work, discipline, patience, and faith will resonate among hockey fans and throughout the recovery community.

Brian McFarlane, hockey history, author, and Hockey Hall of Fame broadcaster, delivers 101 fascinating facts about the game he’s loved for over eighty years.

This text on mathematical problem solving provides a comprehensive outline of "problemsolving-ology," concentrating on strategy and tactics. It discusses a number of standard mathematical subjects such as combinatorics and calculus from a problem solver's perspective.

Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness. This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.

In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.

One of the greatest sports figures of all time at last breaks his silence in a memoir as unique as the man himself. Number 4. It is just about the most common number in hockey, but invoke that number and you can only be talking about one player -- the man often referred to as the greatest ever to play the game: Bobby Orr. From 1966 through the mid-70s he could change a game just by stepping on the ice. Orr could do things that others simply couldn’t, and while teammates and opponents alike scrambled to keep up, at times they could do little more than stop and watch. Many of his records still stand today and he remains the gold standard by which all other players are judged. Mention his name to any hockey fan – or to anyone in New England – and a look of awe will appear.