Breaking Vases powerfully and vividly captures the rich heritage of one woman's Middle East, along with its brutal realities, which followed Dima Ghawi from her native Jordan to her adopted country, the United States. Brought up in a small, conservative Christian community in Amman, Dima learned to be quiet and subservient to her elders and to men. When she was just five, Dima's beloved grandmother warned that a woman's greatest responsibility was to preserve her image-one as fragile as a glass vase-and the honor of her family's reputation. Anything less was shameful. Yet her grandmother also planted a seed: the simple hope that Dima could graduate from college and become the first formally educated woman in her family. At nineteen, hoping to free herself from cultural constraints and her father's turbulent temper, she accepted a traditional marriage proposal from an older, affluent, and seemingly Western-minded jeweler. Newly married and in a state of naive love, she happily uprooted her life in Amman and moved with him to California. But San Diego's "Little Middle East" was not her American dream. She soon realized that her husband was more traditional and controlling than she had imagined. Changing her circumstances would be dangerous and require courage Dima had never known before. Nevertheless, she was determined to transform her destiny, even if it meant standing alone and facing life-threatening consequences. Her memoir captures the terrors and joys of escaping confinements, crossing continents, and daring to discover and create a bold identity and life purpose.

This book integrates psychiatry and psychoanalysis to present deeper and sounder clinical profiles of the personality disorders than have been hitherto available.

The Newbery Medal-winning tale of an orphan boy whose dream of becoming a master potter leads to unforeseen adventure in ancient Korea. Tree-ear is an orphan boy in a 12th-century Korean village renowned for its ceramics. When he accidentally breaks a delicate piece of pottery, he volunteers to work to pay for the damage. Putting aside his own dreams, Tree-ear resolves to serve the master potter by embarking on a difficult and dangerous journey, little knowing that it will change his life forever. "Despite the odds against him, Tree-ear becomes courageous, brave and selfless, a hero as enduring as the porcelain Park so lovingly describes." (New York Times) “Intrigues, danger, and a strong focus on doing what is right turn a simple story into a compelling read. A timeless jewel.” (Kirkus starred review) *A broken piece of pottery sets events in motion as an orphan struggles to pay off his debt to a master potter. This finely crafted novel brings 12th-century Korea and these indelible characters to life." (School Library Journal starred review) "Tree-ear's determination and bravery in pursuing his dream of becoming a potter takes readers on a literary journey that demonstrates how courage, honor and perseverance can overcome great odds and bring great happiness. Park effectively conveys 12th century Korea in this masterful piece of historical fiction." (Kathleen Odean, chair of the Newbery Award Selection Committee)

This interdisciplinary study opens up a fascinating interaction between art and theater. It shows how the mythological vase-paintings of fourth-century B.C. Greeks, especially those settled in southern Italy, are more meaningful for those who had seen the myths enacted in the popular new medium of tragedy. Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting.

Powerful, off-beat stories about women living in the shadow of the now-frozen, now-thawing war in Ukraine Out of the impoverished coal regions of Ukraine known as the Donbass, where Russian secret military intervention coexists with banditry and insurgency, the women of Yevgenia Belorusets’s captivating collection of stories emerge from the ruins of a war, still being waged on and off, ever since the 2014 Revolution of Dignity. Through a series of unexpected encounters, we are pulled into the ordinary lives of these anonymous women: a florist, a cosmetologist, card players, readers of horoscopes, the unemployed, and a witch who catches newborns with a mitt. One refugee tries unsuccessfully to leave her broken umbrella behind as if it were a sick relative; a private caregiver in a disputed zone saves her elderly charge from the angel of death; a woman sits down on International Women’s Day and can no longer stand up; a soldier decides to marry war. Belorusets threads these tales of ebullient survival with a mix of humor, verisimilitude, the undramatic, and a profound Gogolian irony. She also weaves in twenty-three photographs that, in lyrical and historical counterpoint, form their own remarkable visual narrative.

We love to cheer for the underdog and believe to our core that every life makes a difference. And we are right. There is no one God can’t use and no one whose brokenness is too broken for God. We know this is true for our friends when we want to encourage them. Yet, when it comes to the places of our innermost sense of shame and regret, we often wonder if it is really true that God can work all things together for good for those who love Him. Angie Smith is one who was quick to encourage a friend, but struggled to believe that God could truly make something spectacular out of her broken- ness and disappointments. Responding to God’s leading to both break and reconstruct a simple pitcher, she reflected: It was as though God were saying, here you are, Angie. You are mended. You are filled with my Spirit, and I am asking you to pour yourself out. The image of my life as a broken pitcher was beautiful to me, but at the same time, it was hard to look at all of the cracks. I ran my fingers along them and told Him I wish it had been different. How I wished I had always loved Him, always obeyed Him, always sought Him the way I should. I was mad at the imperfections, years wasted, gaping holes where it should be smooth. But God, my ever-gracious God, was gentle and yet convicting as He explained. My dearest Angie. How do you think the world has seen me? If it wasn’t for the cracks, I couldn’t seep out the way I do. I chose the pitcher. I chose you, just as you are. Mended takes you on a journey to show how faith lived in the regular events of daily life is all that it takes to be a part of creating God’s picture of redemption in your life and those around you. Your life does make a difference—because of how He is magnified in the cracks.

'I like the way Blackshaw has incorporated many of the household furniture and objects to his own grandparents or extended family, and this is what makes the book feel authentic and genuine whilst funny and entertaining'. --The Values Bookshelf 'This is a sweet, funny story of forgiveness and recognizing what is really valuable in life'. --Armadillo Children's Magazine Some rules... and vases... were just made for breaking! This is the story of a boy who loves his grandma, but can't stand all her rules! She has rules for every room in the house - don't jump on the bed, or leave the loo seat up, or put your elbows on the table.... But there is one rule that is more important than all the others. DON'T touch the big blue and white vase. When Grandma pops to the shops, the boy does his best to follow the rules, but a terrible domino effect of errors results in the inevitable CRASH! What will Grandma say? With Grandmas you never can tell... This is a heartwarming tale about forgiving one's mistakes, and about how some rules are not quite as important as they might seem. Gorgeous pencil illustrations bring the eccentric grandma and her pattern-filled house alive.