Breaking Boundaries in Ideologies: The Shifting World Between Left and Right In the first book of this series, "Breaking Boundaries in Literature: The Nobel Prize and Korea's Untold Stories", the left-wing bias in modern literature was critically examined, shedding light on the often ignored narratives of Korean experience. Now, in "Breaking Boundaries in Ideologies", we delve deeper into the ideological heart of the matter—exploring the shifting and volatile world between left and right, where the boundaries are not only blurred but threatened with collapse. What happens when the world as we know it is flipped on its head? What if the political ideologies we've spent centuries trying to reconcile—left and right—were forced into a volatile coexistence? In "Breaking Boundaries in Ideologies: The Shifting World Between Left and Right", the second book in this captivating series, we are plunged into a world where the principles of left and right clash, bend, and ultimately dissolve into a new reality. With fierce political power, philosophical revelations, and morally complex characters at its core, this is a story that will keep you questioning everything you thought you knew about governance, freedom, and justice. Imagine a South Korea where the left rises to power, but not in the way you might expect. Choi Jun, once a simple man of conviction, finds himself caught in a world where ideologies are no longer clear-cut. In a bizarre alternate history, the South is not just left-wing—it's a world where leftist ideals of equality and human rights rule the roost, but at the cost of a fragile peace. And, in turn, those ideals begin to give birth to contradictions that no one could predict. In this chaotic landscape, Choi must navigate a shifting world of political factions, military power, and a society teetering on the edge of revolution. Can a society built on contradiction survive? Will the tension between competing ideologies lead to self-destruction—or rebirth? In a narrative that is both intellectually exhilarating and emotionally gripping, "Breaking Boundaries in Ideologies" confronts the most challenging questions of our time. The left and right, often seen as two sides of the same coin, are brought into sharp focus—unveiling their shared flaws and examining the human cost of ideological purity. The book asks: Can one survive without the other? How long can a world teeter between extremes before it shatters? As Choi's journey takes him deeper into the political undercurrents that threaten to tear apart his world, he is forced to confront an unsettling truth: the very ideologies that promise a better future may also hold the key to his downfall. "Breaking Boundaries in Ideologies" is a brutal, yet fascinating examination of the tensions between progress and destruction, the individual and the collective, freedom and control. This is not just a novel; it is a mirror held up to the present. It's a reflection on the state of our own political divisions and an invitation to examine the principles that drive us. In a world where the lines between left and right blur and merge, "Breaking Boundaries" forces us to ask: what will emerge when the dust settles?

In the first book of this series, "Breaking Boundaries in Literature: The Nobel Prize and Korea's Untold Stories", the left-wing bias in modern literature was critically examined, shedding light on the often ignored narratives of Korean experience. Now, in "Breaking Boundaries in Ideologies", we delve deeper into the ideological heart of the matter—exploring the shifting and volatile world between left and right, where the boundaries are not only blurred but threatened with collapse. What happens when the world as we know it is flipped on its head? What if the political ideologies we've spent centuries trying to reconcile—left and right—were forced into a volatile coexistence? In "Breaking Boundaries in Ideologies: The Shifting World Between Left and Right", the second book in this captivating series, we are plunged into a world where the principles of left and right clash, bend, and ultimately dissolve into a new reality. With fierce political power, philosophical revelations, and morally complex characters at its core, this is a story that will keep you questioning everything you thought you knew about governance, freedom, and justice. Imagine a South Korea where the left rises to power, but not in the way you might expect. Choi Jun, once a simple man of conviction, finds himself caught in a world where ideologies are no longer clear-cut. In a bizarre alternate history, the South is not just left-wing—it's a world where leftist ideals of equality and human rights rule the roost, but at the cost of a fragile peace. And, in turn, those ideals begin to give birth to contradictions that no one could predict.

This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.

Little has been published about African women artists to date. This is due to a general Western hegemony over the construction of histories and discourses, but also to discrimination against women across national borders. This publication attempts to fill some of the gaps and explore the patterns underlying these dynamics. It brings together research on the practices and lives of women from different African countries, from modernist artists to independence activists to contemporary voices. These proceedings emerge from the symposium "Reclaim: Narratives of African Women Artists," organised by AWARE: Archives of Women Artists, Research and Exhibitions in partnership with the Ecole du Louvre as part of the Africa2020 Season. They are a contribution to the revalorisation of the role of African women artists in cultural history, but also to broader reflections on the mechanisms of knowledge production both in Africa and in the West.

An effective tool for reading postcolonial con/texts, ideology also provides a matrix to grasp the world, enabling collective political action. This interdisciplinary volume reflects that each position is subject to asymmetrical power relations, with critiques of ideological manifestations occurring in intersecting cultural, social, and political configurations.

Moving back through Dewey, Heidegger, Nietzsche, and Rousseau, the lineage of Western music education finds its origins in Plato and Pythagoras. Yet theories not rooted in the ancient Greek tradition are all but absent. A Way of Music Education provides a much-needed intervention, integrating ancient Chinese thought into the canon of music education in a structured, systematized, and philosophical way. The book's three central sources - the Yijing (The Book of Changes), Confucianism, and Daoism - inform author C. Victor Fung's argument: that the human being exists as an entity at the center of an organismic world in which all things and events, including music and music education, are connected. Fung ultimately proposes a new educational philosophy based on three key ideas in Chinese thought: change, balance, and liberation. A unique work, A Way of Music Education offers a universal approach engrained in a specific and ancient cultural tradition.

This book presents the voices of police and community members who have been involved in engagement and partnership projects designed for countering violent extremism. Though the threat of the so-called Islamic State garners a great deal of current attention, the book explores ideological violence prevention efforts in a number of contexts, to include that of paramilitary organizations as well as Qa'ida inspired actors.