Barry N. Malzberg reflects back over four decades of writing science fiction, giving an insiderAs view of the field during that time which few can match, both for its authority and for the sharp and witty way he describes the highs and lows of one science fiction writerAs career. He also writes vivid profiles of writers and editors, ranging from the titans who transformed the field, such as John W. Campbell, to once popular writers who are now all but forgotten, such as Hugo Award-winner Mark Clifton. AIf there is any particular cachet to my perspective, A he writes, Ait comes because my career is, perhaps more than some, metaphoric.A The original, shorter version of the book was widely praised, as by the San Francisco Chronicle: AContains literary criticism ranging over the whole history of the field. . . . this is a mordant, brilliant book, A and by The Washington Post Book World: AMalzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else.A Breakfast in the Ruins is an indispensable book for every science fiction reader.

The No. 1 New York Times Bestseller Jess Walter's Beautiful Ruins is a gorgeous, glamorous novel set in 1960s Italy and a modern Hollywood studio. The story begins in 1962. Somewhere on a rocky patch of the sun-drenched Italian coastline a young innkeeper, chest-deep in daydreams, looks out over the incandescent waters of the Ligurian Sea and views an apparition: a beautiful woman, a vision in white, approaching him on a boat. She is an American starlet, he soon learns, and she is dying. And the story begins again today, half a world away in Hollywood, when an elderly Italian man shows up on a movie studio's back lot searching for the woman he last saw at his hotel fifty years before. Gloriously inventive, funny, tender and constantly surprising, Beautiful Ruins is a novel full of fabulous and yet very flawed people, all of them striving towards another sort of life, a future that is both delightful and yet, tantalizingly, seems just out of reach. 'Magic...A monument to crazy love with a deeply romantic heart' New York Times 'A novel shot in sparkly Technicolor' Booklist 'Hilarious and compelling' Esquire

"A fable satirizing Spenser's 'The Fairie Queen' and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fetish she tries. Her problem is in fact symbolic of the hypocrisy of her entire court. While her life is meant to mirror that of her nation - an image of purity, virtue, enlightenment and prosperity - the truth is that her peaceful empire is kept secure by her wicked chancellor Monfallcon and his corrupt network of spies and murderers, the most sinister of whom is Captain Quire, who is commissioned to seduce Gloriana and thus bring down Albion and the entire empire." -- Goodreads.com.

Who doesn’t love a good ghost story? This gorgeous book is a compendium of old, forgotten haunted houses imagined by artist Ben Catmull, along with the stories and rumors of who haunts them, and why. Each spread features a different haunted house, lovingly and exquisitely rendered in scratchboard on masonite, with a short, nightmare-inducing description of each scene. In “Drowned Shelley,” for example: A chorus of frogs surrounds the house where young Shelley was drowned headfirst in the bathtub by her drunken stepfather. Say her name 13 times while looking in the pond and she will drown you in your sleep. Say her name the wrong number of times while looking in the pond, and she will leave hair in your breakfast dishes. Say her name 13 times while not looking in the pond, and she will watch you when you clip your toenails. Mispronounce her name 13 times while looking anywhere near the pond, and she will kick you somewhere delicate at the stroke of midnight. Catmull’s images are evocative, haunting masterpieces that never tread in graphic imagery, choosing instead to suggest horrors far more frightening than what they explicitly depict.

NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today

Sarah J. Maas hit the New York Times SERIES list at #1 with A Court of Wings and Ruin!