In this study of Brassai's complete oeuvre, the author analyzes Brassai's paradoxical position between documentary realism and surrealism in the France of the 1930s. She stresses the subjects he pursued most passionately: the shadowy Paris night, urban graffiti and the nature of creative genius.

This volume collects the interventions of the post-doctoral fellows and PhD students of the University of Cluj Napoca, the University of Bucharest and the University of Florence (Mediterranean Cultures; Doctoral School of Comparative Languages, Literatures and Cultures, specialisation in Language, Literature, Philology: Intercultural Perspectives) presented in occasion of the seminar Storia, identità e canoni letterari (“History, identity and literary canons”, Florence, 22-23 November 2011). The contributions are centred on the idea of canon, as a cultural construct founding modern national identities. Another trace is the literary and cultural hybridisations between different geographies. For the Romanian context, the contributions pay particular attention to the movements of the avant-garde of the early 1900s. Some contributions account for the most problematic aspects of the contemporary world using interdisciplinary approaches.

Featuring a broad selection of paintings, sculptures and photographs coming mainly from the Centre Pompidou collections, Louvre Abu Dhabi’s exhibition catalogue “Rendezvous in Paris: Picasso, Chagall, Modigliani & Co.” focuses on this highly distinctive period in French art when young painters, sculptors and photographers flocked to early-20th-century Paris from all over the world to make a decisive contribution to the city’s art scene. Most notably from Germany, Spain, Italy, the Netherlands, Russia and even Japan, these formally inventive artists – Constantin Brancusi, Marc Chagall, Kees van Dongen, Tsuguharu Foujita, Amedeo Modigliani and Pablo Picasso among them – who would later become known as the “School of Paris”, rivalled the greatest French artists of the time.

The Centre Pompidou in Paris houses one of the greatest collections of twentieth century photography in the world. This book comprises a comprehensive catalogue of the collection, 350 photographs by 283 of the most famous artists and photographers to engage with the medium - from Dritkol, Abbott, Strand, Evans, Brancusi, Rodtchenko and Abbott, via Alvarez Bravo, Man Ray, Boubat and Klein, to Mapplethorpe, Sherman, Struth, Gursky and Goldin. The book is comprised of 6 sections, each introduced by a short essay, and proposes a new history of photography through the collections of the Centre Pompidou.

Was Tesnière the founding father of dependency grammar or merely a culmination point in its long history? Leaving no doubt that the latter position is correct, Chapters of Dependency Grammar tells the story of how dependency-oriented grammatical description developed from Antiquity up to the early 20th century. From Priscian’s Rome to Dmitrievsky’s Russia, from the French Encyclopaedia to Stephen W. Clark’s school grammars in 19th century America, it is shown how the concept of dependencies (asymmetric word-to-word relations) surfaced again and again, assuming a central place in syntax. A particularly intriguing aspect of the storyline is that even without any direct contact or influence, authors were making key breakthroughs in similar directions. In the works of Sámuel Brassai, a Transylvanian polymath, and Franz Kern, a German grammarian, the first dependency trees appear in 1873 and 1883, respectively, predating Tesnière’s stemmas by several decades.

Roaming Paris streets by night in the early 1930s, Brassaï created arresting images of the city's dramatic nocturnal landscape.The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers.'Paris by Night', first published in French in 1932, collected sixty of these images, which have since become photographic icons.This new edition brings one of Brassaï's finest works back into print. 'Paris by Night' is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer.