Immerse your brass quintet in the lyrical beauty of the French Romantic era with "Je veux vivre," the enchanting ariette from Charles Gounod's opera "Roméo et Juliette." This piece, arranged with finesse by Francesco Leone for an intermediate-level brass quintet, captures the youthful exuberance and longing for life expressed by Juliet in this famous aria. The eBook contains the full score and parts for a classic brass ensemble configuration: two B-flat Trumpets, French Horn in F, Trombone, and Tuba. Leone's arrangement skillfully translates the vocal line's expressiveness and the orchestral accompaniment's richness into the brass quintet format, offering a new way to experience Gounod's masterpiece. To ensure that ensembles of varied compositions can perform this arrangement, additional parts are provided for E-flat Horn and Trombone in treble clef. These inclusions allow for greater versatility and adaptability, enabling each group to tailor the piece to their unique sound and personnel. An audio demonstration, accessible at www.glissato.it, serves as an invaluable resource for quintets preparing "Je veux vivre." This demo provides a clear reference for the piece's style, pacing, and emotional depth, aiding musicians in their interpretation and performance. "Je veux vivre" arranged for brass quintet is not merely a piece of music but an invitation to explore the depth of Gounod's operatic expression through the vibrant and resonant sounds of brass. Whether for performance, educational purposes, or the sheer joy of playing, this eBook promises to bring a touch of operatic splendor to brass musicians and their audiences, offering an unforgettable musical journey into the heart of French opera.

Score of "Je Veux Vivre" ariette by Charles Gounod arranged for Saxophone Quartet satb, Intermediate level, key concert Eb, duration 3.30 (+-) .Parts available in series. Scan Qr code (in cover) for audio demo or visit www.glissato.it. product code: EG0862 ____________________________ Partitura : Je Veux Vivre, arietta da "Romeo e Giulietta" per Quartetto di Sax s.a.t.b. di livello medio. Parti staccate disponibili nella collana.

(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).

Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.