Bill Brandt, the greatest of British photographers, who visually defined the English identity in the mid-twentieth century, was an enigma. Indeed, despite his assertions to the contrary, he was not in fact English at all. His life, like much of his work, was an elaborate construction. England was his adopted homeland and the English were his chosen subject. The England in which Brandt arrived in the Thirties was deeply polarized. He photographed both upstairs and downstairs, and recorded the industrial north as well as the society rounds of the affluent south. Although much of his work was for the new illustrated magazines, it was frequently influenced by surrealism and an eye for the slightly strange. The subjects of his portraits include the greatest creative figures of his age, and his English landscapes were sublime. His radical treatment of the female body forms a landmark in the history of the photography. Paul Delany ambitiously traces the details of Brandt’s life and reveals how the biographical facts and the fantasies that accompanied them deeply affected Brandt’s work. The biography is richly illustrated with duotone reproductions of his masterpieces and a number of unpublished private photographs.

INDIVIDUAL PHOTOGRAPHERS. Matthew Brandt is an experimental photographer who works withdifferent processes and materials to create images that are at oncebeautiful, yet balanced with his artistic concept. Brandt has been knownto use everything from bodily fluids to food to develop his photographs. Photographs from Matthew Brandt's Lakes and Reservoirs series weretaken in the Western U.S., developed as C-Prints, and then submergedin water drawn from the body of water depicted for several days, weeksor months. As the water breaks down the emulsion, vivid colors andpainterly passages emerge making each photograph unique.

A progressive Christian parenting book with a social-justice orientation How do we build a better world? One key way, says Cindy Wang Brandt, is by learning to raise our children with justice, mercy, and kindness. In Parenting Forward Brandt equips Christian parents to model a way of following Jesus that has an outward focus, putting priority on loving others, avoiding judgment, and helping those in need. She shows how parents must work on dismantling their own racial, cultural, gender, economic, and religious biases in order to avoid passing them on to their children. “By becoming aware of the complex ways we participate in systems of inequal­ity or hierarchy,” she says, “we begin to resist systemic injustice ourselves, empower our children, and change our communities.”

Beyond the Bright Sea meets Echo in this story of a young girl who must break a magical bargain before an enchanted wolf steals her sister away. First Frost has touched Cape Fen, and that means Baron Dire has returned. For as long as anyone can remember, Baron Dire has haunted the town come winter, striking magical bargains and demanding unjust payment in return. The Serling sisters know better than to bargain, lest they find themselves hunted by the Baron's companion, the Wolf. And then the Wolf attacks Eliza's sister Winnie. They manage to escape, but they know the Wolf will be back. Because Winnie would never bargain, so that must mean that someone has struck a deal with Winnie as the price. Eliza refuses to lose her sister and embarks on a journey to save her. If Eliza can learn the truth, she might be able to protect her sister, but the truth behind the bargain could put her own life in danger. Wolf of Cape Fen is the perfect... fantasy book for girls 9-12 middle school chapter book for fans of the supernatural tween book for girls age 9-12 preteen gift for girls "Brandt's striking debut is eerie and intriguing, set in a deftly built world that feels both cozily familiar and unsettlingly odd. A stunning seaside fairy tale that will absorb readers until the very end."—Booklist "Unfolding gradually as Eliza relentlessly pieces the past together, this intriguing mystery culminates in a startling, literally transforming climax."—Kirkus Reviews "Atmospheric...this fabulist middle grade effectively employs a dream-fueled magic system that reckons with consequences."—Publishers Weekly

Winner of: 2014 Christopher Award, Books for Young People 2014 ILA Primary Fiction Award 2015 MLA Mitten Award Honor Human Rights in Children's Literature Honor With humor and warmth, this children's picture book raises awareness about poverty and hunger Best friends Sofia and Maddi live in the same neighborhood, go to the same school, and play in the same park, but while Sofia's fridge at home is full of nutritious food, the fridge at Maddi's house is empty. Sofia learns that Maddi's family doesn't have enough money to fill their fridge and promises Maddi she'll keep this discovery a secret. But because Sofia wants to help her friend, she's faced with a difficult decision: to keep her promise or tell her parents about Maddi's empty fridge. Filled with colorful artwork, this storybook addresses issues of poverty with honesty and sensitivity while instilling important lessons in friendship, empathy, trust, and helping others. A call to action section, with six effective ways for children to help fight hunger and information on antihunger groups, is also included.

Bill Brandt was the pre-eminent British photographer of the twentieth century and a founding father of photography's modernist tradition, whose half-century-long career defies neat categorization. This publication presents the photographer's entire oeuvre, with special emphasis on his investigation of English life in the 1930s and his innovative late nudes. The Museum of Modern Art has been exhibiting and collecting Brandt's photographs since the late 1940s, and recently has more than doubled its collection of vintage prints of his work, which form the core of this selection. An essay by Sarah Hermanson Meister sets his life and work in the context of twentieth century photographic history. Brandt's printing style changed dramatically over the course of his career, and this will be a secondary focus. With rich duotone illustrations that highlight the special characteristics of Brandt's prints, this volume will be an invaluable resource to students and scholars alike. Lee Ann Daffner contributes an illustrated glossary of Brandt's retouching techniques, enhancing the appreciation of Brandt's printing processes. The book also includes a generously illustrated appendix of Brandt's published photo-stories during the Second World War, which will clarify the trajectory of Brandt's career as never before.

While there are many books that deal with Brandt's foreign policy as West German Chancellor, Willy Brandt and International Relations is the only book to deal with Brandt's politics as elder statesman between 1974 and 1992. The editors have assembled a group of authors from Germany, the USA, Latin America and Europe to assess Brandt's important role in global affairs during the waning decades of the Cold War. The chapters follow Brandt beyond his resignation as Chancellor in 1974, after which he continued his position as chairman of Social Democratic party and became chairman of the Socialist International. His international politics were above all focused on Europe, Latin America and the United States. He was keen on finding new partners in the 'Third World' such as Latin America and the Caribbean, leading to conflicts with the U.S. administration which caused problems for West German foreign policy. The authors also examine global challenges that occurred after 1989, such as Brandt's handling of German unification, the Kuwait crisis of 1991 and the first Gulf War. Willy Brandt and International Relations provides a new perspective on decades of Cold War relations and beyond through the work of an influential statesman and political thinker. It is an illuminating book for students and scholars of the Cold War and international relations.