In October 1957 Marlon Brando married an Indian actress called Anna Kashfi. Anna Kashfi was twenty-three and pregnant. The day after the wedding a factory worker living in Wales, William O'Callaghan, claimed that the woman who called herself Anna Kashfi was in fact his daughter, Joan O'Callaghan. He said she was a butcher's assistant from Cardiff. This book sets out to discover the truth.

'Full of warmth, humour, optimism and sometimes painful honesty' WILLIAM DALRYMPLE 'Anyone who's ever struggled to make sense of who they are and where they belong should read this book' NADIA WHITTOME MP 'An important voice of our generation' PARMINDER NAGRA 'This guy has better Punjabi than both of us and he's only half Punjabi.' Only. Half. I stared at those words. The intent behind the comment was in no way malicious, but it hurt. I felt diminished. I felt like I was being robbed of something essential to me. And as I stared at my screen, realisation dawned. '#bothnothalf' I replied. For over twenty-five years, actor Jassa Ahluwalia described himself as 'half Indian, half English'. His fluent Punjabi always prompted bewilderment, medical staff questioned the legitimacy of his name, and the world of casting taught him he wasn't 'the right kind of mixed-race'. Feeling caught between two worlds, it wasn't long before Jassa embarked on a call to action: we need to change how we think and talk about mixed identity. By delving into the media we grew up consuming and the legacies of empire we have been taught, Ahluwalia asks: is there anything to be learnt from Rudyard Kipling? Why were movie stars urged to hide their mixed identities? To what extent did colonialism encourage or hinder mixed marriages? Is nationalism outdated? How can the politics of class and queer liberation inform our understanding of mixed identity? Both Not Half is a rallying cry for a new and inclusive future. It's a journey of self-discovery that unearths the historical roots of modern mixed identity as we know it, braving to deconstruct the binaries we have inherited and the narratives we passively accept. Part-memoir, part-manifesto: this is a campaign for belonging in a divided world.

Over the last eighty years, Marlon Brando has become such an object of fascination, buried under so many accreted layers of mythos and half-truth, that it is all but impossible to see the man behind the icon. As we approach the centennial of this undisputed American legend, Marlon Brando: Hollywood Rebel isa revelatory biography that tells its story the same way the man himself approached a role: from the inside. Author, journalist, and pop culture authority Burt Kearns digs deep into the unexplored aspects of Brando’s career, interests, and singular personality, revealing how his roles on stage and screen, combined with his wild and restless personal life, helped to transform popular culture and society writ large. His influence was both broad and deep. Brando’s intense approach to acting technique was emulated by his contemporaries as well as generations of actors who followed, from Nicholson and DeNiro to DiCaprio and Gosling. But his legacy extends far beyond acting. His image in The Wild One helped to catalyze a youth revolution, setting the stage for rock ‘n’ roll culture in a way that directly inspired Elvis Presley, the Beatles, Andy Warhol, and punk rock culture. Brando was also frank about his affairs with both sexes; a leader of the sexual revolution and a hero of gay culture, he defied stereotypes and redefined sexual boundaries in his life and the roles he played. But of all his passions, activism was even more important to Brando than acting: he was an early supporter of Israel, civil rights, the American Indian movement, Black Power, gay rights, and environmentalism. Startlingly intimate and powerfully told, Marlon Brando: Hollywood Rebel shows how the greatest actor of the twentieth century helped lead the world into the twenty-first.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

A history of Cardiff, told through the archives of the Western Mail.

The standard image of the Raj is of an aloof, pampered and prejudiced British elite lording it over an oppressed and hostile Indian subject population. Like most caricatures, this obscures as much truth as it reveals. The British had not always been so aloof. The earlier, more cosmopolitan period of East India Company rule saw abundant 'interracial' sex and occasional marriage, alongside greater cultural openness and exchange. The result was a large and growing 'mixed-race' community, known by the early twentieth century as Anglo-Indians. Notwithstanding its faults, Empire could never have been maintained without the active, sometimes enthusiastic, support of many colonial subjects. These included Indian elites, professionals, civil servants, businesspeople and minority groups of all kinds, who flourished under the patronage of the imperial state, and could be used in a 'divide and rule' strategy to prolong colonial rule. Independence was profoundly unsettling to those destined to become minorities in the new nation, and the Anglo-Indians were no exception. This refreshing account looks at the dramatic end of British rule in India through Anglo-Indian eyes, a perspective that is neither colonial apologia nor nationalist polemic. Its history resonates strikingly with the complex identity debates of the twenty-first century.