Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and makes an important new contribution to the study of the literature of the Great War."--BOOK JACKET.

Since its publication in 1905, The Scarlet Pimpernel has experienced global success, not only as a novel but in theatrical and film adaptations. Sally Dugan charts the history of Baroness Orczy's elusive hero, from the novel's origins through its continuing afterlife, including postmodern appropriations of the myth. Drawing on archival research in Britain, the United States and Australia, her study shows for the first time how Orczy's nationalistic superhero was originally conceived as an anarchist Pole plotting against Tsarist Russia, rather than a counter-revolutionary Englishman. Dugan explores the unique blend of anarchy, myth and magic that emerged from the story's astonishing and complex beginnings and analyses the enduring elements of the legend. To his creator, the Pimpernel was not simply a swashbuckling hero but an English gentleman spreading English values among benighted savages. Dugan investigates the mystery of why this imperialist crusader has not only survived the decline of the meta-narratives surrounding his birth, but also continues to enthrall a multinational audience. Offering readers insights into the Pimpernel's appearances in print, in film and on the stage, Dugan provides a nuanced picture of the trope of the Scarlet Pimpernel and an explanation of the phenomenon's durability.

Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.

Example in this ebook CHAPTER I A JOYFUL REUNION "I suppose we might as well be hiking along," announced Roger Barlow regretfully, as he consulted his watch. "We've lots of time yet, but we'd better be early than late back to camp. We are strangers in a strange land and we've quite a long way to go." "I'm satisfied to go. I came up here to see Paris and I've seen it. That is, a scrap of it. I guess it would take a long while to get really wise to it. I sure would like to use up a little time poking around la belle Paree. My, but this hash house is a dead place, though! Nobody alive here but us." Bob Dalton glanced disapprovingly about the unassuming little café in which he and his four Brothers had elected to dine. Its hushed atmosphere oppressed him. "Oh, Paris is altogether different from what it used to be," informed Sergeant Jimmy Blaise. "It's lost a lot of pep since this war began. Can you wonder?" "It's lost more than pep," cut in Franz Schnitzel. "It's lost a whole lot of its best citizens. Almost every woman one sees is dressed in black. That tells its own story." "So think I no many Franche solder more," sighed Ignace Pulinski. "Mos' is died." "Oh, there are probably a dozen or two left," was Bob's cheering reassurance. "I guess they need the Khaki Boys over here all right enough, though." "I wish we'd get orders to move on," grumbled Jimmy. "I'm dying to take a ride in one of those 'Eight Horses' affairs—not." "We've been in training here longer than I expected." This from Roger. "I guess we needed it. When the war began, before the U. S. got into it, they used to rush the Tommies to the front pretty fast. They got about ten days' or two weeks' training and that was all." "The war game's been systematized a lot since then," commented Bob. "We have fared better than those fellows did. They had to put up with most any old thing. So far we've led a peaceful, happy life over here." Several weeks had passed since those of the Khaki Boys who had come safely through the disastrous sinking of the Columbia had been landed "somewhere in France." Readers who have followed the fortunes of the quintet of Khaki Boys, known among themselves as the five Brothers, will at once remember them as old friends. What happened to these young soldiers during the period in which they were in training at an American cantonment has already been set down in "The Khaki Boys at Camp Sterling." It was while on the way to Camp Sterling that Jimmy Blaise, Roger Barlow, Bob Dalton and Ignace Pulinski met and instantly became friendly. From being merely friendly they soon grew to be bunkies, loyal to one another through thick and thin. Later they took into their little circle a young German-American, Franz Schnitzel, who had had the misfortune to be entirely misunderstood by his comrades. Suspected of being in sympathy with Germany, Schnitzel was accused of poisoning a number of men in his own barracks. Due to the untiring efforts of the four Brothers, his innocence was proven, and his good name restored. Afterward Schnitzel himself was responsible for bringing the real poisoner, a German spy, Johann Freidrich, to justice. Their fortunes firmly linked to Schnitzel's by trouble, he had become a real brother to the four Khaki Boys, who decided that thereafter they would call themselves the five Brothers. After an exhaustive course of training at Camp Sterling, the five Brothers had been sent with a large detachment of their comrades to Camp Marvin, a southern cantonment. While at this camp they met with at least one exciting adventure, which was the forerunner of a series of amazing events. To be continue in this ebook

With their rakish characters, sensationalist plots, improbable adventures and objectionable language (like swell and golly), dime novels in their heyday were widely considered a threat to the morals of impressionable youth. Roundly criticized by church leaders and educators of the time, these short, quick-moving, pocket-sized publications were also, inevitably, wildly popular with readers of all ages. This work looks at the evolution of the dime novel and at the authors, publishers, illustrators, and subject matter of the genre. Also discussed are related types of children's literature, such as story papers, chapbooks, broadsides, serial books, pulp magazines, comic books and today's paperback books. The author shows how these works reveal much about early American life and thought and how they reflect cultural nationalism through their ideological teachings in personal morality and ethics, humanitarian reform and political thought. Overall, this book is a thoughtful consideration of the dime novel's contribution to the genre of children's literature. Eight appendices provide a wealth of information, offering an annotated bibliography of dime novels and listing series books, story paper periodicals, characters, authors and their pseudonyms, and more. A reference section, index and illustrations are all included.