Established in 1883, the Olympic Club catered to a variety of pursuits from target shooting to billiards to boxing--the most popular sport in New Orleans, despite legal prohibitions. A revised city ordinance and a vague state statute permitting boxing sponsored by chartered athletic clubs were frequently tested at the Olympic, the epicenter of boxing in America. Between 1890 and 1894, the club's 10,000-seat arena hosted six world championship and seven national or regional title bouts. The 1892 Fistic Carnival featured three world title fights on three consecutive days, culminating in the World Heavyweight Championship between John L. Sullivan and James J. Corbett.

In 1897 a filmed prize-fight became one of cinema's first major attractions, and such films continued to enjoy great popularity for many years to come. This work chronicles the story of how legitimate bouts, fake fights, comic sparring matches, and other forms of boxing came to dominate the screens of the silent-era.

The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture.

Excerpt from Boxing There are refined persons who contend with warmth and some truth that fighting has its brutal aspect. It no doubt seems, at first sight, cruel to break a man's jaw, knock out his teeth, or double him up with a well-tucked-in hit on the mark, but if he richly deserves such treatment, who has a right to complain? It is a great thing to feel con fident that you are able to inflict the damage, and the feeling will not make you quarrelsome or brutal unless you are so by nature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Los Angeles has been regarded as one of the greatest boxing cities in the world for more than a century. With a large fan base, Los Angeles has also been the home of many of the best and most exciting boxers. In Boxing in the Los Angeles Area, authors Tracy Callis and Chuck Johnston provide an overview of one of the greatest pugilistic hotbeds in the world from 1880 to 2005. This comprehensive history covers the top boxers of the area who became famous both locally and worldwide such as Jim Jeffries, Solomon "Solly" Smith, "Mexican" Joe Rivers, Armando Muniz, Oscar De La Hoya, and "Sugar" Shane Mosley. Boxing in the Los Angeles Area also reviews some of the areas most notable bouts such as Tommy Burns winning the heavyweight title from Marvin Hart in 1906, Shane Mosley winning the welterweight title from Oscar De La Hoya in 2000, and Ad Wolgast retaining the lightweight title in a bout with "Mexican" Joe Rivers in 1912. Written by boxing historians and members of the International Boxing Research Organization, Boxing in the Los Angeles Area includes many photos while providing a thorough history of the boxing world in one of the greatest boxing cities.

Examines racial and gender identities created by media representation of sports and sports figures. The essays in this collection challenge media wisdom about the apolitical nature of sports, by examining how they contribute to the contested process of defining social identities.